Biography of Roerich Mikoli Konstantinovich. Biography of Mykola Roerich. Basic practices of N. K. Roerich

Mykola Kostyantinovich Roerich (1874 - 1947) - Russian artist, writer, mandriving artist, archaeologist.

Biography of Mykola Roerich

Mikola Kostyantinovich Roerikh, a prominent artist, a member of science, a hromada dyach, was born on 27 spring 1874 near St. Petersburg. Roerich's ancestors, who belonged to the ancient Danish-Norwegian family, moved to Russia in the first half of the 18th century. Batko Mikoli Kostyantinovich, head of the notary's office, a man of great culture with a wide range of interests. Dim Roerich was often seen as a prominent vcheni.

From the childhood of the future artist, he hovers over reading historical books, loves to hear old retellings, dreams about the road. The lad develops a rich fantasy, a thirsty interest in old Russia. In the gymnasium, the fate of the vines takes a part in the excavations of the mounds, as well as in the new one, the building is manifested to the point of painting.

In 1893 Roci Roerich graduated from the gymnasium and became a student of the Academy of Arts and the Faculty of Law of the University at the same time. Prote riddles of distant history praise yoga, like before, and young people hear lectures at the Faculty of History and Philology; Roerich spend summer months at excavations as a member of the Russian Archaeological Association.

Since 1901, Mikola Kostyantinovich was the secretary of the Association for the Study of the Arts, and since 1906, he was the director of the Art School. In 1909, he was elected an academician of the Russian Academy of Sciences. Since 1910, the fate of the art community "The World of Art".

In the years 1900-1910. Mykola Roerich is one of the creators and the most active children of the Partnership for the Revival of Artistic Russia, and to create Partnerships for the protection and preservation of the memorials of art and antiquity in Russia.

In 1920-1922 rr. Mykola Kostyantinovich is already working in the USA (the shards in Russia were impossible) Institute of the Common Arts and other revolutionary cultural and educational Association.

In 1923 p. New York has the first Roerich Museum (Nicolas Roerich Museum), which became the first museum of a Russian artist abroad.

In 1923-1928 rr. N.K. Roerich to work on an unprecedented scientific and artistic expedition through the Himalayas, Tibet, Altai and Mongolia, and in 1934–1935 pp. - across Manchuria and China.

In 1928 In India, the Roerichs created the Himalayan Institute of Scientific Research "Urusvati", and in 1942, in New York, with the initiative of Mykoli Kostyantinovich Roerich - the American-Russian Association, de vin was elected an honorary President.

In 1945, in the valley of Kullu (Himalaya, India), de Rerikhs lived from the end of 1928, Mykola Kostyantinovich began to gather for the Batkivshchyna, ale ahead of the day, on December 13, 1947, going out of the earthly plan.

Creativity Roerich

Mykola Roerich created over 7000 mystical creations. Vіn pratsyuvav v galuzі monumental and applied art, vіdomiy as the author of scenography, completing a series of sketches for costumes, furniture, embroidery and other. All this variegated recession is marked by the seal of a great self-made talent.

Mykola Roerich was formed as an artist of that huge hero of culture like XIX - on the cob of the XX century.

Knowledge of history, numerical archeological excavations, “the passing of the Russian antiquity” helped Roerich in a new way to depict in creativity the image of native nature and the development of a thousand years of history of the Russian people.

N.K. Roerich’s own light-gazer was founded on a reconciliation, which, for the advancement of spiritual culture, can transform life on earth, overcome non-dominance, vulgarity, war: “There is de culture, there is light ... As long as culture is no longer rich, ... there is no longer living . Culture can reach the nearest, the best one will be like a khatini, so the palace.

Roerich having put his own grandiose task of the ancient Russian architecture of different epochs and schools. Pregnantly familiar with the old painting, near the deaf faraway villages patiently roaming the objects of applied art, hearing fairy tales, songs from the hoarded, singing dances. And for the last time, bachiv the right beauty of the people, "Yogo diva is wondrous, for centuries omriya".

Tzong Ka Pa Nastasya Mikulichna Rostov the Great

In his early creations, Roerich showed a new, much less familiar to the mystical world of the word'Janian Russia, revealing in the figurative form of his own ancient epoch. In yoga robots, superficially shukati borderline accuracy in the transfer of that ch іnshoy fact of history. I create poetic, inspired by the bilinear spirit of the picture, as if to give the most powerful revelation about the era.

Dreams about the new art, as if bringing people the joy of that beauty, the whispers of this art permeated Roerich’s artistic aspirations in another period of creativity. As before, choking on the history of the words of the Jansk Rus and creating pictures on those, the wines are also now turning to the most recent period - the era of the Stone Age.

Relatively, with scientific foresight, I collect the wines of historical materials, make archaeological excavations, collect the richest collection of objects every hour. Until 1916 there were close to 35 thousand. The collection was one of the largest private similar collections in the world.

In their creations in the Crimea, the Sunday of the little-devoured, early period of history, that awakening in the spectators of patriotic feelings, is supposed to give the image a deep philosophical sensation.

Step by step, at Roerich’s art, the Daedals began to take more images of folk tales.

In searches of the beauty of the long-past Roerich, in a mature period of creativity, the history of that art is like that of Russia, and of other lands.

In the rest of his creative work, Roerich added a lot of respect to the landscape, adding a deep sensation. The majestic part here is occupied by creating from images gіr. Roerich conquered the ice-filled Karakorum, the eternal snows of Altai, the rocky yields of the mountains to Tibet, the mountain lakes, the turbulent rivers. The varied relief of yoga landscapes. Ale was especially close to the yaskravim dzherel nathnennya steel for the New Himalayas. Having consecrated over six hundred creations to the Hidden Himalayas.

A lot of yoga pictures have become an artistic eye for viewers.

Light of the artist's recognition

Mykola Kostyantinovich Roerich to lie down to a galaxy of great deities of the votchiznyan and worldly culture. About the recognition of this rich cultural activity to celebrate the honor, with which they honored the wealthy countries of the world, as well as the honorary title given by scientific, hromada and cultural organizations, the founder, patron, president and active member of such wines.

Heaps:

Cavalier of the Russian Orders of St. Stanislav, St. Annie and St. Volodymyr;
Knight of the Yugoslav Order of Saint Savi;
Cavalier of the Order of Honorary Legion of France;
Cavalier of the Royal Swedish Order of the Polar Star.

List of organizations, a member of such buv N.K. Roerich:

Rightful member of the Russian Academy of Sciences.
Head of the Institute of Unified Mysteries in New York (USA).
The manager of the International Cultural Center "Corona Mundi" (USA).
Honorary Director of the Museum named after M.K. Roerich in New York and yoga in Europe, America and the lands of the Immediately.
Rightful member of the Yugoslav Academy of Sciences and Arts (Zagreb).
Rightful member of the Portuguese Academy (Coimbra).
Right member of the Reims Academy (France).
Rightful member of the International Institute of Science and Literature (Bologna, Italy).
Honorary member of the Committee of Culture (Buenos Aires, Argentina).
Vice President of the Mark Twain Fellowship (USA).
Vice President of the American Institute of Archeology (USA).
Honorary member of the Benares Enlightenment Association (India).
Honorary Member of the Moru Association (France).
Member of the Red Cross (France).
Member of the Association for the Resurrection of Longevity (France).
Daughter member of the Federation of French Artists (Paris).
Member of the Autumn Salon (Paris).
Dovіchny member of the Association of Antiques (Paris).
Honorary President of the International Conference for the support of the Roerich Pact (Bruges).
Honorary defender of the Historical Fellowship at the Academy (Paris).
Honorary President of the Association named after Roerich in France (Paris).
Founding member of the Ethnographic Association (Paris).
Honorary President of the Roerich Academy (New York).
Honorary President of the Fellowship for Cultural Progress "Flamu" (Indiana, USA).
Honorary President of the Roerich Association in Philadelphia (USA).
Honorary member of the Association for the Protection of Historical Monuments (New York).
Honorary President of the Latvian Association Roerich (Riga).
Honorary President of the Roerich Associations in Lithuania, Yugoslavia, China.
Honorary Member of the Subhas Chandra Bose Institute (Calcutta).
Member of the Jagadis Bose Institute (India).
Member of the Nagati Prachari Sabha (India).
Dovіchny member of the Royal Asian Association near Bengalії (Calcutta).
Dovіchny member of the Association "Mystetstvo Descent" (Kalkata).
Honorary President and Doctor of Literature of the International Buddhism Institute in San Francisco (California) [International Buddhist Institute (USA)].
Honorary Member of the Russian Museum of History and Culture near Prazi (Czechoslovakia).
Honorary member of the Luzas Association (Paris).
Honorary member of the League for the Defense of the Arts (Paris).
Patron of the Cultural Society (Amritsara, India).
Benevolent member of the Association of International Achievements (Paris).
Honorary Member of the Field Association (St. Louis, USA).
Honorary member of the Braurved Association (Java).
Honorary member of the National Association of Natural Medicine in America (Los Angeles, California).
Honorary President of the Center for Mythology and Culture (Allahabad, India).
President of the League of Culture (USA).
Honorary President of the American-Russian Cultural Association in New York (USA).
Vice President of the American Institute of Archeology (USA) and other organizations and associations.

Bibliography

Ernst S. N. K. Roerich .- Pg .: Ed. Communities of St. Eugene, 1918. - 127 p.: l. il. - (Russian artists).
Rostislavov A. A. N. K. Roerich. - Pg.: Ed. N. I. Butkovsky. 1918. - 72 p.: Il.
Burlyuk D. D. Roerich: drawings of his life and creativity (1918-1930). - New York: View of M. N. Burliuk, 1930. - 31 p.: il.
Knyazeva V.P. Mikola Kostyantinovich Roerich. 1874-1947: [monograph]. - L.: M: Mistetstvo, 1963. - 112 p.: il.
Alokhin, A. D. Painting of the early period of creativity of N. K. Roerich (until 1916). Abstract of dissertation. - M., 1970.
Polyakova Y. I. Mykola Roerich .- M: Science, 1973, 1985. - 303 p.: il.
Zhivkova L. T. Deloto on Mykola Riorikh: [preface] // Bogomil Raynov. Mykola Rorich: [album]. Sofia, 1978. S. 5-10. - Bulgarian. lang.
Korotkina L.V. Roerich at Petersburg-Petrograd. - L.: Lenizdat. - 1985. - 224 p.: Il. - (Eminent children of science and culture in
Petersburg-Petrograd-Leningrad).
Belikov P. F., Knyazeva V. P. Mikola Kostyantinovich Roerich / Series: The life of miracle people. - M: Young Guard. - 1973. - 2nd

Among the artists in Russia, Roerich Mykola Kostyantinovich is seen as a cut diamond cut. Yogo robots marvel, groan, bestow rozuminnya. The Russian soul is open to the whole world, inspired by the names of others for the power of feelings.

Biography

On September 27, 1874, son Mikola was born at this notary. The boy's life was reminiscent of hostility, experiments: the friends of the fathers were truly intelligent minds (Mendeleev, Mikeshin, Kostomarov). Vcheni, artists, intellectual individuals sang a lot of crowed, obviously, lads wanted to reach the necessary light.

Mikola reaching out to know. The greatest interest is in the history of the country, painting, archeological sights. The main accent of the lad is robbing the recession of the culture of the peoples of Russia and other lands. The period of youth, early youth Mikoli reordering of impersonal over-the-top important podias:

1982. As a high school student, the young man independently engaged in the work of archeological directing. Becoming a student, becoming a member of the Association of Archaeologists of the Country.
1893. Graduated from the gymnasium. I’m going to go straight to the University of St. Petersburg, having turned the legal path.
1895. Yunak to undergo training, probation with A.I. Kuinji.
In the mid-90s of the 19th century, the future philosopher, artist actively collaborated with Stasovim, Diaghilevim, Repinim, in.
Even before the end of the training, he became famous for the knowledge of the knowledge (1897). Mykola has revealed a whole complex of old tombs of the Vody, without overwhelming the Petersburg region, and has created small sketches “Oshad”.
The apprenticeship at the St. Petersburg Academy of Mystics was completed, and he completed his diploma with the robot "Messenger" (1897), which Tretyakov soon came to. The picture was appreciated by critics, the writer Leo Tolstoy, who was actively choking on the canvas.
1898. Successfully defended the thesis “Legal Landing of Artists in Ancient Russia”, completed the apprenticeship.
After graduation, having taken away the proposition of spivpratsi with the Archaeological Institute of St. Petersburg. Zdobuv the rank of lecturer of the course.
1901. Taking an active part in the creation of the Commission for the registration of memos of the old St. Petersburg province. The new consecration of the order was given to the Comradeship of Zahistu, the preservation of the memory of mysticism and antiquity in Russia.

The teachings of a person are being explored between science and science, trying to unite offensive passions. Create the Roerich of Mikoli Kostyantinovich during this period before historical painting. Ancient Russia, similar coloring, accurate historical images come to life on the canvases.

A young archaeologist, having become an assistant to the director of the head museum of Russia. At 24, fate was respected by majestic achievements, unacceptable for greatness. At once, the masters of the brush requested the assistant editor of the journal of artistic directing, which is called "Art and craft". Strimky development of the artist's career continued. 3 years have passed. A young man having been recognized as the secretary of the Imperial Association for the study of mysteries.

The peculiarity of the blue grew in fact in parallel with the suspіlnym: 1901, having pleased the family of Mykoli Roerich with the fun. Having robbed the archaeologist from the companion Olena Shaposhnikova. 1902 gave the gift of painting first, Yurochka. The young child, Svyatoslav, was born in 1904.

For 8 years (1894-1902), the artist-artist lived for an hour at 40 places, got busy in the past, wrote 90 studies. A respectful, philanthropic archaeologist has gained respect for the old Russian robots of icon painters, budvelniks, who has become more quiet, who can help to save architectural masterpieces, unique icon-painting images.

Around 1904, the biography and creativity of Mykoli Roerich changed their character. Postiyni roses, work on books, support of magazines, the settlement of the editor of mystetsky vision took away the free hour. Dodatkovy klopіt brought the post of director of the School of the Imperial Association for the Study of Mystery (1906-1918). Roerich will be at the school yard, creating scenery for the theater, painting, writing novels, reading philosophical treatises.

At the roadside, the mitets were swept up in Christian philosophical theories, robbed of visnovka, written down on paper. So the book “The Power of the Light” by Mikoly Roerich blew the light, de the author brought together the real buttya, religious dogma, the data of the Bible, the saying of the elders.

After the Zhovtnevoy revolution, the artist traveled with his robots to Europe, America, organizing exhibitions, collaborating with the faceless people of the city. Ready to get to know Herbert Wells, Rabindranath Tagore, John Galsworthy. The deeds of the main parameters of the book “Agni Yoga” by Roerich Mikoli Kostyantinovich are starting to form.

Mykola did not, without respect, deprive the new land of the greater camp, since 1900 the fate of the wholesale land of spiritualism. Keeping records, students, until 1921 the family regularly held sessions without a special table (they needed souls).

In fact, the whole life of the philosopher-artist has been proven by the road. India, China, the edges of the European, American continents replaced the booths. Covered, but in the vіlne vіdvіduvannya batkіvshchiny vіdome archaeologist was fenced off. Shhoraz had to ask for permission. The date of the death of Roerich Mikoli Kostyantinovich (12/15/1947) fell on the day, if the weather from Russia was in a bad weather, obviously, the artist did not know what the hell he was doing.

Changing between works, the artist donated 7,000 paintings, about 30 books (which include two books by Mycoly Roerich with verses, "Sim great mysteries to space" by Mycoly Roerich). The results of the excavations have filled the museum with tens of thousands of knowledge of ancient art.

Creativity

Roerich became the most popular as an artist. Paintings by Mykoli Roerich with names that reveal the essence of the masterpiece conquered the world.

“Way to Shambhala” is a canvas, as if going through the landscape with spiritual notes. Sharp lines, clear strokes, sleepy changes on the tops of the mountain reveal the greatness of the road, the self-sufficiency of the road, the coldness of the naked soul. Deprive the spirit of the spirit of the road.

The painting "Overseas guests" reflects the historical past. Old-time Russia, the biblical heroes become closer, wiser. A caravan of chovnіv vіdvіduє rosіyskі land with peaceful aims, friendly forging. It can be seen that armor, armor is close to the soldiers, the first trouble is much more warlike mood.

"Madonna Oriflamma" ate at the collection of practically all cultures, as if they stood without a trace in front of the eyes of the militia at the roadside. Її can be vvazhat one of the symbols of the day of peoples in Christianity. Mother of God is the defender of the Russian people. With the cover of the vizerunkov, the Mother of God protects the children of God, troubling the enemies on the vіdstanі.

The painting “Mother of the Light” shows worship before the Mother of God, which women bring gifts and prayers. The souls of the dead gravitate towards her, jokingly outrageous, caresses, forgiveness.

"Zarathustra" - worshiping the light, the sun. The images are enchanted, do not let the peeper in. It is here that new changes will break through on a new day, having blessed the priest to stand on the mountain.

Even when looking at the picture of the Himalayas. Everest", the skies run through the cold. Here, the peep-to-be sips at the unacceptable cold environment, to marvel at the high snow. Fortress of character, virility, fearlessness will help the traveler to hem the top.

The enchantment of the rank Venus in the Himalayan sky is not transverse. A wonderful landscape with a bright star, which has approached the Earth, in the painting "The Star of the Wound" beckons with foggy distances.

"St. Sergius of Radonez", the guardian of the Russian land, protect it from the past, the present, the future. About tse to speak a picture, de saintly viyshov at once from rattu, choliv її.

"Kanchenjunga". The sacred peak of the Himalayas. The perfection over the fogs of the gloomy adds purity, lower farb. Cleanse your soul, repent, take the cloisters easily.

"City of sayings" shows the glance of the master penzl at the camp of the suspense. Vices, nonsense, soulful nights filled the souls. Sodom, Gomorrah - the place that the poor have known. Such a share checks quietly, who is inspired by repentance.

Mykola Kostyantinovich Roerich is an extraordinary post. A lawyer, scholar, artist, having made it possible to work indefinitely, to create far from home, to live hopefully on the turn, to be alone with yourself.

Mykola Roerich - "Trip of the Old Man"

Mykola Roerich was born in 1874 near St. Petersburg. Yogo father was led by a notary and a hromdsky playboy, mother looked like a merchant's family. The lad got a miracle light: at the highest rocky vines, he entered one of the best private schools in St. Petersburg - the Karl von May gymnasium.

I spent my summer and winter holidays at the zamіskom maєtka of Izvar near the St. Petersburg region. Here, the young Roerich selected herbarium and minerals, planted the animals and birds. Even in childhood, I began to take up archeology: excavations, folding maps to the relief, describing the knowledge in a report. At Іzvara Mykola Roerich got to know the archaeologist Lev Ivanovsky and assisted him in the archeological investigations of the mounds.

The lad recited the history of that epic of the land of Zvara, writing down bilini from the burying grounds, retelling the folk tales, like a chuv in the sight of the inhabitants of the city. Later, the plots of these creations became the basis of yoga paintings. First of all, the boy’s mysticism was commemorated by a friend of the family – sculptor Mikhailo Mikeshin. Vin became the first teacher of the future artist.

Batko didn’t pidtrimuvav zakhoplennya sina that hotiv, shchob vіn prodovhiv family right. Mykola Roerich did not listen in a moment, after joining the law faculty of St. Petersburg University after a private gymnasium. At once, the young man clave to sleep in the Imperial Academy of Mystics. The first great success was the diploma painting "Messenger": for it, Roerich took away the title of the artist. In 1897, roci vin graduated from the Academy of Mystics, and through the rіk - the university.

The entire biography of Mykoli Roerich is connected with Russian history and culture. The interest of the young clergyman in leather rock has grown. She became a member of the Russian Archaeological Association and carried out excavations in rich Russian provinces, cultivating folklore. In 1903, the artist was destroying the great Russian. Vіdvіdav povdvіdav ponad 40 mіst, vіdomih their reminders of antiquity.

Nicholas Roerich. An oath to the earth. 1907. Sovereign Russian Museum

Nicholas Roerich. There will be dudes. 1903. State Museum Immediately

Nicholas Roerich. Watch. 1905. Sovereign Russian Museum

Near the road, a series of paintings was born - "The Cob of Russia, Words". There the artist saw his mystical revelation about his ancestors. Roerich embodied the roots of Russian culture at the “old times”, photographing old things, writing articles about the value of ancient Russian art.

“The time has come for the Russian people to be enlightened and to love Russia. The time has come for secular people, who need to live without new enmity, to become high and significant, for whom the stench is not yet surprising to see a good place, to replace everyday life with fun, beautiful life.
Mykola Roerich

Mykola Roerich completed his dear old Russian places at Talashkino - on the birthday of patron Mary Tenisheva. Here, together with the artists Mikhail Vrubel, Oleksandr Benois and Kostyantin Korovinim Roerich, they introduced the techniques of ancient Russian crafts and the traditions of folk crafts. At the artistic workshops of wines, they created sketches for mosaics and painting with old-fashioned techniques. One of the most important works is the decor at the temple of the Holy Spirit near Talashkina.

Artist, archaeologist, tattoo editor

The talent of Mykoli Roerich was revealed by the different galleys. Vіn worked as an editor at the magazine "Stari Roki", at the publications "History of Russian Art" under the editorial board of Igor Grabar and "Russian Icon". As an archaeologist taking part in the excavations of mounds in the Novgorod and Tver provinces. As an artist, he created mosaics and paintings for churches, railway stations and houses. Like a decorator in arranging opera, ballet and dramatic productions, like a master of book and magazine graphics - different visions.

As a rule, from the old Russian theme, similar motives began to appear in the work of Mykola Roerich. Vivchav vyvchav philosophy Immediately, collecting objects of Japanese art, writing a few drawings about Japan and India, creating paintings on Indian motifs - "Devassary of Abuntu", "Devassary of Abuntu with Birds", "Cordon of the Kingdom", "Wisdom of Manu".

Nicholas Roerich. Devasari Abuntu. 1905

Nicholas Roerich. Devassari Abuntu with birds. 1905

Nicholas Roerich. Kingdom cordon. 1916

In his art, the artist has achieved realism and symbolism, adding great respect to color. Vіn mayzhe vіdmovivsya vіd іd іn oil and transitions to tempera tehnії: a lot of experimenting with farb warehouse, vicoristovuvav method of superimposing one tone on another. The originality of yoga robots was considered by many critics: from 1907 to 1918, nine monographs and a dozen dozen art magazines dedicated to Roerich's work were seen in Russia and Europe.

In 1916, Mykola Roerich, through a heavy ailment, moved to Finland at the same time to attack doctors from his family. After the revolution of 1917, the fate of Finland closed the cordon from Russia, and the Roerichs appeared in the young Soviet Socialist Republic. Over the cordon successfully passed a few years of yoga exhibitions.

In 1919, a family of Roerichs moved to London. Here the stinks became members of the occult Theosophical Fellowship. Mykola Roerich and Olen’s yogo team fell asleep a new philosophical revival “Ethics Lives” - about internal transformation, revealing vitality and cosmic energy.

Through the request of the director of the Chikaz Institute of Mythology, Mykola Roerich, he moved from his family to the USA. In America, he organized a large-scale three-part exhibition tour in 30 places in the United States, created sketches of costumes and scenery for the Chikazka Opera, gave lectures on Russian art, ethical and aesthetic vihovannia. Near the city, the artist painted a series of paintings “New Mexico”, “Suїta to the ocean”, “Mrії wisdom” and a series of paintings “Sanktu” (“Holy”) about the life of Russian saints and ascetics.

"Meister Gir" Mykola Roerich

In 1923 Roerich left America and went to Paris, and then to India, organizing a large-scale Central Asian expedition. At the same time, I spent archeological and ethnographic research in different parts of Asia, devised rare manuscripts, collected linguistic materials and created folklore, described mystic sounds, and wrote the books “Heart of Asia”, “Alatay – Himalaya”. At the circle, the mitets had created close to 500 canvases. There was a majestic panorama of the expedition route.

Great scientific materials, which were chosen by the Roerichs for the first time of the expedition, supported the systematization of the work. After a friend trip, the Institute of Himalayan Studies fell asleep in New York, and then - the Institute "Urusvati" (translated from Sanskrit "Light of the Rank Star") near the Himalayas, near the Kullu valley.

In 1928, Mykola Roerich prepared a draft Treaty on the Protection of Cultural Values - the Roerich Pact. The pact became the first international act dedicated to the protection of cultural values, the only favor of this sphere, as it was accepted by the international community before the Other Holy War. For New Roerich, two girls were nominated for the Nobel Peace Prize, but they didn’t take it away.

From the end of 1935 Roerich is permanently alive in India. This period is one of the most important in his creative work. For 12 years of wine writing over a thousand paintings. At this hour, two new books by Mykoli Roerich and a small volume of literary drawings came out. In India, the series "Shambhala", "Gengis Khan", "Kuluta", "Kulu", "Holy Mountains", "Tibet", "Ashrams" were written;

Nicholas Roerich. Shambhala Dike (Visti Shambali). 1931

Nicholas Roerich. Chintamani. 1935-1936

Nicholas Roerich. Song about Shambhala. Tangla. 1943

At the rock of Another world war, I resurfaced in my creativity to those fatherland and created a number of paintings, victorious images of Russian history, - "Igor's Departure", "Olexander Nevsky", "Partisans", "Peremoga", "Bogatyrs threw themselves".

Mykola Roerich died in 1947 in India, in the Kulu valley of the Himalayan mountains.

Series "Sikkim". 1924 Canvas, tempera. 74x117.5 Museum of Mycoly Roerich, USA. NY

“In the painting “Drops of Life” on the ledge of the rock, on the slope of the snowy peaks, a woman sits by the golden dress. She takes the drops of life into the gleam - the drops of wisdom that knowledge that flow from the high-pitched dzherel. In deep thought, marvel down at the Earth, wherever you bring the qiu of the life chosen by her to the Vologda.

(N.D. Spirina. Reflections, 1999)

A vessel is one of the symbols of a person’s witness, and a drop of life-giving water is a knowledge of knowledge, and also the people of him should be wised up in spirit, as if to accompany a person after his earthly life, in other spirits ...

The realm of spiritual knowledge is not like the primordial knowledge available to the intellect. It is worth knowing to come to a person in a proper and stepwise way, not expensive drops that fall near a vessel, the purest hot water.

(Album "Way to Shambhala", p.30)

2. Salting the dark

Series "Yogo country". 1924 Canvas, tempera. 88.5x117

“... An expedition came from Everest (Chomolungs) ... Mіzh іnhim, they tried to find out, who did not climb to Everest.

In the painting “The Bedroom of the Birds”, the stench was recognized exactly as the image of the ice-maker who beat Everest and they didn’t understand, as a characteristic view, only they were waving, having spent it on the picture ... "

(N.K. Roerich. Altai-Himalaya)

The sleeping of the temryavi is one of the most famous paintings by M. Roerich.

From the Mountain Abode, it is great to place the urochist to denounce the commanding stone of wisdom and the knowledge that rises the most nasty darkness. Behind the Carrying Treasures of the World, people follow the reverent mover, who prayed to the deep.

With its Light, that energy of thought stinks to reduce the accumulation of negative psychic energy in the Earthly expanse- the result of negative thoughts and feelings of a large number of people.

Tsya energy of thoughts of the wicked, zadrіstyu and greed becomes negative, ruinous, shkidlivaya. Vaughn negatively pours into the middle ground, destroying the natural energy balance of the elements and provoking the natural disaster.

3. Treasures of the World - Chintamani

Series "Yogo kraina", 1924 Tempera on canvas. 88.5 x 116.5. Museum of Mycoly Roerich, USA. NY

Sacred Kamin Chintamani under different names of houses in the hidden traditions of Mayzha in our peoples.

Zgіdno z Legend, batkіvshchina Kaminnya - suzіr'ya Orion, pov'yazane special rank from our planet.

In a long time ago, the Kamin of Orion served as the basis of the Great Mass of Light on Earth, as it took away the name of Shambhala at the Skhodі. From that hour, the main body of the Stone is taken up in this Brotherhood, and the same tricks are taken from the light. The cosmoplanetary link of the distant suzir'ya Orion, the Stone in the Brotherhood of Light and a fragment of that Stone, which mantras the light, the song terms begin to become more active, and at the same time great historical destruction occurs.

At the turning point in the history of the sacred, the Stone appears in quiet lands and in the hands of quiet heroes, as they can especially stick to the edge of the evolution of mankind. Solomon, the first emperor of China of the Qin dynasty, Oleksandr the Great, took the stone with the stone.

Chintamani was known in Old Novgorod, in the hands of Tamerlane and Akbar the Great.

The main characteristic of Chintaman's fire is nature, which is associated with his marvelous power: you can shine, vibrate the sparkle of the half-light, change your vag, see the crackle, transfer the podії, and yoga the lords bestow the special power of that.

The Sanskrit double word “Chintamani” literally means “a precious stone of thought”. It can be said that Cintamani is the fire crystal of the greatest spiritual thought.

Chintamani's stone is a talisman of the New World, a share of future people has been laid at his side.

There is a poetic legend at the Skhodі, which tells about those who, in the appointed year, from the gіr zіyde a white kin, on the back of some deputy of the verifier there will be a screen with the Cintamani Stone - Treasury of the world. Tse and become a sign of the present new world that transformation of the world.

In the picture of N.K. Roerich, a wise kin, otters with a syavim, with a protective girsk move, carry the Stone down to the people.

4. Lao Chi

Series "Prapori Immediately", 1924 Canvas, tempera. Private collection, USA

“Once before khatin, de alive Lao-Tszi, pіdіyshov osіdlany buffalo and stood up on the threshold. Lao-Tszi viyshov, sіv on nyogo, and the buffalo rushed yogo to the Himalayan peaks.

The era, in which Lao Tzu is alive, under the name of the “epoch of wars” - the hour of internecine strife, if fortune-telling and turmoil, rule of power, honors and wealth served as the main movers of vchinkiv and thoughts of people. Bachachi is such a fall in morality, Lao-Tszi abandons the state service and goes into wasteland. Vіn settles in the mountains and goes to look and think. They admit that they themselves thought it over and wrote their famous “Book about the path and garlic” - “Tao De Ching”.

... so that the life of a person was not grief, but a blessing, people needed to learn how to live not for the body, but for the spirit. Chogo th teach Lao-Tse. Blame that, as you pass from life to the life of the spirit. You call your vchennya Shlyakhom ... "

(N.D. Spirina. Vidbliski, 2000)

5. Santana

1935-1936, USA

"Wheel of life. Abo like the Indians say: "Santana" - "Potіk zhittya".

“... The strum of life - santana - is vivacious and generous. Potik rasporoshuetsya at a straight-sided waterfall, so that later we will again climb back into the channel.

(N.K. Roerich, Leaves of Schodennik, v.2, "Santana")

6. On the peaks

The painting "On the Peaks" by N.K. Roerich depicts well in the house the "Tum-mo" phenomenon - the burning of the main energy centers of light.

“The “Tum-mo” school, which they spit, following the words of the pilgrims, can sit for years on the drenched krizhan wind, not being cold. Navpaki, the stench smells warmly, which spills over the body, and at times sing the tongues of the half-light, which dance around them. Lamy changed my mind, that the deacons preachers, whose life was the most sinless, zdatny zmusit snow on a significant day in front of themselves. Before reaching the “Tum-mo” stage, the black man can take a course of training under the mentor’s cerebration. Without the help of a teacher, "Tum-mo" is taken in by the overly unsafe ... "

(Yu.N. Roerich)

7. Vessel is not splashed

1927, canvas, tempera, USA

“... The one who carries the good lamp is guilty of walking even more, so that yoga is not shoved, oil is not spilled, and the fire is not extinguished.

How do people know what they can convey in the name of the greatest good, then wine and strain all your guilt, all your grace and tolerance, aby do not spill your cup for nothing. Aje is not for himself wine її carry.

For a quick way, you will pass through the catacombs and spend the night at the oven, maybe, and not get enough sleep and forget about the hedgehog - not for yourself wine.

Serving the people<…>tsya temple and vazka of a powerful leather man can put in front of him like a scourge of the earth.

In creativity, in dopomozі, in pіdbadiorennі, in enlightenment, in all favours, the reach of the people will be the Service itself. New wine has less sight of its own borg.

... they can maliciously shtovkhnut your lamp. They can ruinivno magatisya throw you at the door without fire. Ale cover this sacred half-moon with all your clothes, save it with all your prayers. In such a special year, it is necessary to put all your savings, all your respect. ... Be timi and badyorim and irresistible. ”

(N.K. Roerich. Neporushne. "Catacombi", p.182, Riga, "Videda", 1991)

“... The skin essence has a grain to the spirit, but the mill became that quality . So it’s for sure, as you can’t be left unruly by space Russia, so exactly i the spirit can change without fail . It’s more than enough for everyone, and for yourself, first for everything, so that the cup of the spirit does not slosh. So that the heavy drops of chaos did not spit out the value accumulated by the vologer of the bowl.

(N.K. Roerich. Neporushne. “Bazhana Pratsya”, p.168, Riga, “Videda”, 1991)

8. belongings gir(Skhovane)

The treasures of the Himalayan monastery - "Shambhali", are dedicated to the painting "Scarb Gir" or "Skhovane".

In his statues, Roerich often contemplates majestic treasures that are saved in the depths of the Himalayas. Ale is gold, not diamonds, not rubies. Ancient Skhid knows other things, spiritual. The same maw at the uvazi N.K. Roerich, if he painted the picture "Scarb gir".

Look straight into the oven. In the foreground, the majestic miracle crystals are thick with golden sai. Ale sense over these rare and expensive minerals. There, in the depths of the crypt oven, left-handed and right-handed, at the entrance to it, on a blue background of the mountains, you can mark the contours of ancient statues hung near the rocks. On the far background there is a group of people dressed in old clothes. One of them holds a burning lamp, which brightly illuminates the oven. Tse mahatmi. Їhnya wisdom and є spravzhnіm spiritual belongings gіr.

9. Sribne kingdom. Mount Meru.

1938 Canvas, tempera. 48 x 78 cm. State Museum of Mythology Skhodu, Russia. Moscow

“…Whoever had not glimpsed the Himalayas would have guessed the great meaning of Mount Meru. Blessed Buddha having risen in price at the Himalayas at the search for the Light. There, white of the legendary holy Step, at the presence of all the Gods, the Blessed One otrimav his Osyayannya. Indeed, everything that is connected with the Himalayas carried the great symbol of Mount Meru, as to stand at the Center of the World.

(N.K. Roerich "Shambhala Syaucha", "Stash of Snigiv", New York, 1930)

10. Way to Shambhala

1933 Mycoly Roerich Museum, New York

N.K. Roerich and all members of yoga sim'ї zhvavo tsіkalisya spiritual culture Gathering, zokrema, philosophic recession of India and Tibet. Their interest is step by step inculcating them to the most profound understanding of spiritual culture Immediately - Shambhala, the Brotherhood of Readers and Adepts of the secret wisdom, who made a monastery near the important accessible areas of the Himalayas in order to help the spiritual development of the world.

The founding part of the "hidden path" of the Roerichs is connected with the vision of Shambhala by them.

In the texts of Agni Yoga and in N. K. Roerich there are those who, without initiation, can never know the way to the Ashrams of Shambhali. All paths to the monastery of the Himalayan Brotherhood are superbly disguised from the vipadkovy tsikavih.

11. Mohammed on Mount Hira

1924 Canvas, tempera. 73.6×117. Museum im. N.K. Roerich, Moscow, Russia

Mahomet (Muhammad)(bl. 570-632) - founder of the religion of Islam and the first community of Muslims; the prophet of Allah is that messenger, through which the text of the Koran, the main sacred book of Muslims, was transmitted to people, which I will pronounce in the suvor of the single god.

“I send… a sign from my painting “Mohammed on Mount Hira” retracts the decree of the Archangel Gabriel. I have had a little bit more shocking remarks by the dinovirtsiv of Mohammed about this picture, as if they were illustrating the tradition of the prophet’s person.”

The plot of the painting "Mohammed on Mount Hira" is explained by N.K. Roerich in yoga expedition student:
“The same one - of the Old and New Testament - the archangel Gabriel on Mount Hira, having commanded Mahomet to preach a sermon ...

“It is right to speak at-Tabari about the prophet calling Mohammed (“History of the prophets and kings”). "First, lower, the revelation of the messenger of God began, buoyed by the truth, like they came like a ranking lightness. Then we were transferred to the confessions and left in the oven on Mount Khira. ". "I'm on my knees, - like a messenger of God, - and I'm standing by. I said to me: “Mohammed, I am Gavrilo, and you are the messenger of God.”

Having said to Mohammed Barak, the son of Naufal: “This is divine revelation, as it was sent to Moses, the son of Umran. Yakby, I have lived to that hour, if your people are visionary to you! - "Hiba I will vygnany him?" Mohammed said. “So, - vіdpovіv vіn. “Verily, if not a person, for whom you showed up, without that, without ruining your fortune teller. Truly, they will respect you as a liar, they will charge you with inaccuracies, they will fight and fight with you. The words of Varaki increased his firmness and lit up his restlessness.

(N.K. Roerich. Altai - Himalaya, M. 1999, page 314)

12. Mother Svita

1930s rocky. Canvas on cardboard, tempera. 97x65.5. Museum of Mycoly Roerich, USA. NY

Mother Svіtu is the symbol of Svіtobudov. Mother Svіtu is a symbol of the female Cob in the new epic.

The painting “Based on the bachenni. Cult of the Primordial Mother of Light. Ribi is a symbol of Movchannya. Landscape from below - come to Tibet»

(Z.G. Fosdik “My Readers”, p. 239)

“... It is time to talk about the era of the Mother of Light, which has come. Close to all hearts, Embraced by the mind of the skin folk, Mother of the Svіta flocks anew at the great Godval. Let us be happy and save the one who understands the face of the evolution ... "

N.K. Roerich. Power of Light, "Women"

“... Ask: “Why is the whole century called the Vіkom of the Mother of Light?” So wine is guilty of naming. Zhіnka bring a great help, not only bringing enlightenment, but also affirming jealousy.

(Vchennya Living Ethics, Aboveground)

“…Mother of the World – the creative power of our essence is great. You lived in ancient cults, like earth, like sun, like fire, like wind, like water. Ty, giver to everyone, Ty, giver to everyone! Ty, who showed the people the great joy of knowing the Mother; Ty, who showed a feat and hung her face; Ty, who gave us a manifestation of spacious fire; The one who took on the shoulders the burden of human actions; You are blessed to turn us back to us our spent smile. Reveal to us the blessing of the sacred Fiery Power!

(Vchennya Living Ethics, Bezmezhnist)

13. Visnik from the Himalayas (Directly home)

Not later than 1941 Canvas, tempera. 90.5 x 151 cm. Shri Chitra Layam Gallery. Thiruvananthapuram, Kerala, India

“Skoda, I don’t want a picture of the rest of the painting “Vist from the Himalayas”. Chovna vanished into the ranking mist. Silence that far away burn to shine. 1 worm 1940 r.»

Roerich N.K. Zustrichi / Z literary recession. M., 1974

“... In his works: "Vistnik vid Himalayav" (1940) and "Boris i Glib" (1942) the water surface is filled with yak - Zhuang-ji is the symbol of unmanifested essence and true wisdom. Rerikhiv ascetics, mute messengers of the Greater Wisdom, spit either on the watery surface, or on the gloomy heavenly sea.

Y.P. Matochkin. Ancient China in the work of N.K. Roerich

14. Zoroaster (Zarathustra)

1931 State Museum of the Arts of the Peoples Skhodu. Russia. Moscow. Canvas, tempera. 76 x 117 cm

The painting "Zoroaster" is dedicated to the Great Ascetic Zoroaster (Zarathustra), who lived about six thousand years ago in Persia (ter. modern Iran).

Zoroaster is the great legislator and the founder of the religious faith - Zoroastrianism (fire worship).

Three garlics are put in the basis of yoga vochennya bulo: good thought, good word and good deed.

“... On the top of a high rock, the old man holds in his hands a half-drown cup that wiggles fire on the ground from it. Laconically, she penetratingly conveys on this canvas the artist of the meaning of the great mission of the Iranian Teacher and the prophet of old Zoroaster. І chi yogo one? Why didn’t all the great spiritual teachers bring the light of the fire of Knowledge, Wisdom and Love?! “The fire has come I will attack the earth, and as if I wanted to, I have already burned the wines” (Gospel of Luke, 12:49,51). Having fired the fire at the hearts and witnesses of people, at the light of the stench, they began to bachiti their way and touch their recognition on earth "

N.D.Spirina

With a generous hand you shed Light

High planets are not awarded

On the earthly trouble - and there will be peresomy,

For the first time from the Earth znikne vin.

N.D. SPIRINA to the painting by N.K. Roerich "Zoroaster"

15. Veducha

1944. Canvas, tempera. 116.3 x 73.3. Sovereign Museum Skhodu, Moscow

A woman in a white dress rises high uphill. And behind her, trembling over the edge of the long-term vow, a man leans on his knees. Rocks with their peaks straight up to the sky, pray to you.

Olena Ivanivna Roerich wrote: “... A woman can rise on her own spiritually, morally and intellectually, so that she can take a man with her. Remember the painting by Mikoli Kostyantinovich "Ta, scho vede" ("Veducha"). So a woman ... can become no less a full-fledged supporter of the power of the whole life, and a spirit of deeds in life.

Olena Ivanivna herself was a high butt, concrete relief of the woman's recognition.

N.D.Spirina

The one who knows

Know: The sky calls us.

There is only one way - ahead and uphill.

Appoint a person

Take your own share;

I join the fight

With the old specialty in myself,

Peremagayuchi at your fight

Illusory light of the earth,

Light is useless and empty.

N.D.Spirina

16. Buddha-reminder

1925 Canvas, tempera. 73.6×117. Museum im. N.K. Roerich, Moscow, Russia

« buddha » - Before the death of life.

(N.K. Roerich "Altai - Himalayas", M. 1974, page 63)

Buddhism- one of three (the order of Christianity and Islam of religious religions). Vinik at Ancient India at 6-5 st. BC Sidhartha Gautama is the patron

In the religion of Buddhism, "Buddha" (Skt.) - Enlightenment. Lyudina, as I have reached the highest level of perfection, the one who, having sunk into perfect knowledge - wisdom.

“The word "Buddha" is not є im'yam, but it means the camp of the mind, which is the reach of the greatest point of development.

The Buddha has by no means established his omniscience. “Brothers, I didn’t come here to preach to you like dogma, and I don’t care about you believing in those who believe a lot of others. Tilki until the light, not surrounded by anything, I call you; swear by your mind, develop yoga instead of that, to allow your stupidity. I conjure you - do not be like wild animals or bad animals. I bless you - be sensible people, people who work tirelessly for the acquisition of right knowledge, as if overcoming suffering.

E.I.Rerikh

"Yakosti Buddhi: Shakyamuni wise from the Shakya family. Shakya Singha a lion, Bhagavat - Blessed, Sattha teacher, Ji-na Peremozhets".

(N.K. Roerich "Altai - Himalayas", M. 1999, page 104)

Teacher Buddha, showing which of the three views is the most detrimental not word, not telesny vchinok, ale thought.

17. Bily ta Girskiy (Biliy and heavenly)

Series "Yogo kraina", 1924 Tempera on canvas. 88.5 x 116.5. Museum of Mycoly Roerich, USA. NY.

“You will rise to the tops of the Himalayas and take a look at the cosmic ocean of gloom from below, you will see the inexhaustible lances and pearly gloom. Behind them crumble the heavenly elephants, the important monsoon glooms. It’s not a cosmic picture, how do you give the ability to understand the great creators?”

N.K. Roerich. Shambhala is lying down. Treasury snigiv

The canvas "Biliy i Gorniy" is absolutely miraculous through the view of the heavenly expanse. Feeling suffocated, as if suffocating a person, who podkorila the top, so you see the picture. The artist climbed the height of Everest and looked at the panorama of the mountains that he saw.

In the midst of the darkest fantastic outlines, the artist draws one in the foreground, which miraculously conjures up two great human positions - a man and a woman, that they lowered their heads one to one. The stench is standing here, as if spellbound, and admiring the beauty of the upper world of the Himalayas.

Y.P. Matochkin. Mriya reincarnation

18. Order of the Teacher

1937, canvas, tempera, India, Bangalore, collection by S. N. Roerich. Canvas, tempera. 84 × 153

“... The remaining, unfinished picture of Mikoli Kostyantinovich - “The Order of the Teacher”, which is self-destructive to stand, it is beautiful to stand the Teacher, giving orders to the white eagle, which he observes.”
P.F. Bєlikov "Uninterrupted convergence" book. 1, p. 142-143

“The picture was painted before the death of the artist and was left with an unfinished easel. Її the plot of the engagements with the Teacher and the rest of the experiences of N. K. Roerich before his exit. With this picture, I praised the rest of the graft to the Himalayas and that wondrous beauty, like a stench they gave you.”
"Mikola Roerich", album. ICR, M. 1999, page 54

19. Sergiy-Budivelnik

1925r., series "Prapori Immediately", tempera, USA, GrandHaven, Michigan, Collection of Donald Bolling

Reverend Sergius of Radonez (born 1314-1392), miracle worker, the greatest devotee of the Russian land.

“... Having become a community not only spiritually, but also materially, literally with his own hands. Pishovshi in deaf foxes, only animals lingered. Vіn having created a communal cloister, which she shone through all of Russia. Vіn robiv tse simply, as simply everything is just great, having begun from the fact that he cut down with his own hands the church and the cell for life. Having sown the grain itself, with such a year, we grew marvelously at all its writing and grandiosity of the Trinity-Sergius Lavra. Let's think, what a potential for this grain!”

N.D.Spirina

“Sergius, Budivelnik of communities, having barred his companions from accepting alms. These words could only be accepted in exchange for work. Starving, vin proponuvav his work. The Budov community and enlightenment were the only occupations of this miracle people. Vіdmova in the form of metropolitan rank and vіdnoshennia on one's own valuable metals in one's life is a natural vchink without any painting. inconsistency of work; pіdbіr young, no one knows pracіvnikіv; simplicity like a beast, and from below. Vіdmova vіd osobystoї vlasnostі for the decree, but svіdomosti shkіdlіvії tsgogo understandtya. Sergius saved a lot of space for the list of alarm clocks in the community.

(N.K. Roerich "Altai - Himalayas", Riga "Vіeda", 1992, page 87)

20. Karakirgizi

1932 Canvas, tempera. 46.5 × 79.3. USA, Mycoly Roerich Museum near New York

“Some words may sound in the mountains, otherwise they may sound like a tongue-shovkovo steppe, others require green forest noise. So є th words that are less popular among the desert. Until then, God, until then, in the middle, call out the words of piskiv. As if the heart knows the words intimately, the stoves and the fires, as if it were safer for oneself from the floods and the overcast city, it was affectionately smiled at the words empty. Not in blizzards and whirlwinds and tornadoes, but in the sunset of the sun of dunes in the heart, laugh at that self-sufficient road, which interrupted the path, flooded the earth's right, not hurrying to the village, but calling to the High.
N. Roerich “Leaves of a scammer”, v. 1, “Kitab-el-Igan”, pages 160-161

21. Oirot - Bulletin of the White Burkhan

Series "Prapori Immediately", 1924 Canvas, tempera. 73.6x117. International Center-Museum im. N.K. Roerich (Moscow, Russia)

In the drawing “Shambhala” Roerich conveyed the legend about the White Burkhan: “The wilderness and the game melt on fire from Chuguchak to Altai. It is marvelous to see the Oirot nazniks - the Finno-Turkic tribe, the ruins near the Altai mountains. Not long ago, this region, full of beautiful forests, which make up the streams and snowy ridges, took away the name of Oirotiya. The country of the Blessed Oirot, the folk hero of the tsy vodokremlenny tribe. It was even more marvelous in this country, where rough forms of shamanism and chaklunism flourished.

1904 a young Oirot girl is a small girl. Appearing on the white horse, Blessed Oirot himself. Having said that he is the leader of the White Burkhan, Burkhan himself will come without a bar.

Having given the Blessed Shepherd Girl a lot of words, as if in the lands of the righteous, it sounds like the sound of the White Burkhan, like a star on the earth, a new happy hour. The maiden called out to her family and voiced the new words of the Blessed One, asking relatives to bury their broth, to bury their idols and pray to the merciful White Burkhanov.

On the top of the forest mountain, the boulder was set like a vvtar. The people gathered there, spat the faith and sang the new folded sacred songs, the sound of the sound.
The municipal administration recognized, having found out about the new faith, as the stench was called її. Peaceful shanuvalniks of the White Burkhan recognized a zhorstok research. Ale, raise the Blessed Oirot did not perish. Dosi vershnik on the White horse appears in the Altai mountains, and the faith grows near the White Burkhan.

N.K. Roerich, "Heart of Asia", drawing "Shambhala", Minsk, 1991, p.76

"Biliy Burkhan, of course, the Blessed Buddha."

N.K. Roerich "Altai-Himalaya", M. 1999, page 386-387

22. Zirka Hero

1933. Canvas, tempera. 92.3 x 122.0. Mycoly Roerich Museum, New York

In the dark blue sky, we are alive, trembling with the light of the star, and the sky is pierced by a comet, similar to a sword. Tse i є "star of the hero". And below, on the aphids of the majestic gir, the bagattya fell brightly red, people sat in the fire and marveled, and listened ... Come on, tell me that it’s like a star, tell me, that it saves the soul.

A lot of paintings by N.K. Roerikh were consecrated to the starry beauty of Svіtobudov. The artist at the article "Celestial Architecture" wrote: "If we froze on the Tibetan mountains, then the gloomy mirages were one of the best in the air ... But at the same hour, the world's stars were already shining, and the" dawn runes "were not Soum, Buli paintings "Zoryanі runi", i "Zіrka hero", i "Zіrka svіtu Mother" pobudovani on the riches of the night heaven.

People are endlessly divided into two types. Some of them remember to please the heavenly architecture, and for others they won’t cry, chi, vernishe, cry their hearts. Ale, children remember the joy of the darkness and bring their souls. Adzhe uyava ours is less than a trace of caution. The heavenly book is already handed over to the skin of the first days for its beauty.”

N.V. Urikova Description of 100 paintings by N.K.Rerikh and 5 S.N.Rerikh

23. Gesar Khan

1941. Canvas, tempera. 91 x 152. Yu. N. Roerich memorial apartment, Moscow

Geser Khan is the main hero of the Mongol-Tibetan heroic epic, in which Geser is described as a national hero, a fighter for freedom and happiness for the people.

Gesar khan - tse zahisnik and sage, the legendary hero of the wealthy peoples of that country - Mongolia, Tibet, Altai, acting like a zahisnik of the weak and the oppressed.

The picture is written on the plot of the Central Asian epic. In the picture, Gesar Khan shoots from a bow in the dark sky, stunned with fiery-chervonim half-lights. Above this sky, already in other borders, there is a universal, apocalyptic battle of good against evil. The protector of a good cob, Geser Khan, heals the invisible.

Dedicating the painting by Roerich to the elder son Yuri, the conscientious investigator,

The hero is closer to Yuri Mikolayovich. All in the name of Vladika Shambhali. The picture of the bula was painted by Mikola Kostyantinovich especially for the synagogue and was presented to you on National Day. Until the painting by L.P. Dmitrieva written miraculous verses.

GESER KHAN

Today can not be lowered against.

Only - for, only - against.

At the same time, you can’t but nіda, nіne.

Chi tіlki - so, chi tіlki - nі.

Hiba not bachish: gloomy blood swollen over the planet?

І vipovzaє pіtma z usikh gorges.

I, zgozhevolіvshi, throw verses.

The first leaf is pale before the universal thunderstorm.

І kіn tremtі і pragne battle.

And in a tense, uncompromising pull in the hands, I don’t know the blows.

And the arrow died in the pragmatic ...

The great warrior Geser-Khan - the thief of darkness, the warrior of Svitlana,

traversed (and in a kotre!) the above-ground road for the spirit with the feet of the people on the earth.

Mighty knight Geser-Khan, defender of us, who jokes in a new defense...

Ale, I no longer joke with the Zahist, the great warrior of Shambhali, Vladika Geser Khan.

I want to become an arrow in your sagaidak, like hitting the enemy.

Otherwise, if not with an arrow, then with a tip of a її, even if it’s a plumage.

Abi fly there, where Your hand to direct, the Great warrior of Shambhala...

24. Just Confucius

Series "Prapori Immediately" 1925. Tempera on canvas. 73.6 x 117. USA

Confucius (Kung Fu-Ji, 551-479 BC) - the most important thinker, political fiend and teacher of Ancient China, founder of the first Chinese philosophical school. Resembling from a noble, ale zruynovanoї sіm'ї. Becoming a guardian for the ruler of the kingdom of Lu, and good-naturedly pishov at the post office, having fallen asleep at the school.

Disillusioned by the social and political order of his time, Confucius has risen in price with various Chinese princedoms in order to reconcile the rulers to speed up yoga for the establishment of that social harmony in the world. Confucius proverb at the mandras 14 years and after turning home dedicating your life to the enlightenment of ordinary people. And less than a hundred years after his death, the rulers of the Han dynasty adopted this theory as the principle of governing the country.

“... Confucius, great in his peace-lovingness and justice, he was the one who was revisited by his co-workers, who is to blame for the tripartite harnessed chariot at the ready and more life spent at the moving crossings. Ale istor_ya pointed out the names of these nevіglіvаchіv retranslators. And Confucius is not only lost in memory, not only having lived through thousands of years, but his name is even more pronounced and in the current light.”

N.K. Roerich. Fortress semi-myan, III. BAGATA BIDNIST

Take a look at Confucius' own writings at the book "Conversations and Judgment". Vіn having given an important meaning to the training of a vihovannі people. Visunuty principle zhen - literally "philanthropy", as: “What you don’t protect yourself, don’t work for others”.

“... Confucius, often-densely and ignorant and persecuting, having commanded: “If we guard the appearance, we can reach knowledge; if we have reached knowledge, we will gain a good fortune; if we have gained a good bajan, the heart is cleansed, the people become cultured; if a person becomes cultured, order panuє in її sim'ї; the order of panuє th at yogo kraїni; if the order is reigning in the skin country, then the world is zapanuy in the whole world.

N.K. Roerich. Brama at the future. Share

25. Spivchuttya (Mercy)

1936 Canvas, tempera. 61.5 x 92.5. National Art Museum of Latvia. Riga. Latvia

“The idea of speech can be expressed in different forms. Ale, how do those who sho mi bachimo in the picture of N.K. Roerich hang around! Rishi puts his hand under the arrow, to protect the doe, as if trustingly whispering in a new order. An act of great mercy for the images of those who accept someone else's pain to instill mortal insecurities in guilt.

“Having taken the guilt of a calmly alien suffering chi tyagar, on the fires of your heart you can neutralize it, and then you will help you to be active and strong. Like in the picture of the Guru: protecting, Rishi having taken a blow and shot at himself, in his hand, then defending the victim, which is to be repeated. Tse i є pravzhnya dopomoga - take a vin blow, appointments to the one who hopes to defend. Tse i є spravzhnє spіvchutta.

N.D.Spirina. Vidbliski, 2002, p.120

At the canvas "Spivchutya" they knew the artist's most important ideas of the life of the Living Ethics - about mercy, self-sacrifice, the power of goodness, which is reached not by violence, but by the power of transformation, enlightenment of light.

The contrasts of light, the contrast of colorful flames in the picture visibly inspire the idea of the opposition of good and evil, ignorance and wisdom. The gentry silhouette of the lamy with the shackled head of the Germans vibrates the inner light and calmness. As you can see, the philosophy of Buddhism has an absolute calmness to take revenge on its own strength and creativity to the spirit. Such a force, the artist affirms, to stand guard over life, taking on itself the arrows of death, that faceless ruin.

“A great pearl of the Secret Knowledge was laid at the spivchutti. All Bodhisattvas, all saints, all ascetics straightened this path.

“Spivchutya is not yakist. Vono - the Law of Laws, eternal Harmony, the Soul of Light itself; unbelievable universal Sustainability, the Light of Truth, which is rebuked, the way of common speeches, the Law of eternal Love.

The more you are angry with him, you will make your butt in a single Butt, the more your soul will see in the day with the existing ones, the more you will transform into the CALLING ZBIR.

Such is the path of the Arhat, like the Buddhas of Thoroughness will be.

Treasure of the World. Comments on the last paintings of N.K. Roerich. Visit of the Kuzbass Rerikhiv Association

26. Remember!

Series "Yogo Country", 1924 Tempera on canvas. 87.6×117.8. USA, Mycoly Roerich Museum near New York.

The new version (1945), the most intensive for farbs, is bought at the Sovereign Russian Museum. Russia. St. Petersburg. Canvas, tempera. 91 x 153 cm.

“...Having reached the high “Hirsky world” - do not forget about it, if you descend into the mundane bustle of the valleys, where are the shoes of the tongue “do your life”.
P.F. Bєlikov "Uninterrupted convergence" book. 2, page 59

“... The panorama of the Himalayan mountain ridge, the peaks, illuminated by the erysipelas of the early sun, is magnificent. Self-sufficient worker fills the native donkey. Here, at the lowlands, it is important to check on the new one. The leader turns around and casts a farewell glance on his buds, women, like they see him off on a distant road, which leads snow to heaven. “Remember, now you are depriving us, what can the vikonati and why can you turn back here!”

P.F.Belikov “Svyatoslav Roerich. Life and creativity”, ICR, M., 2004, p.72-73

27. Nagarjuna - Serpent's Helper

Series "Prapori Immediately", 1925. Canvas, tempera. 76.2×122. Museum im. N.K. Roerich, Moscow, Russia

"Nagarjuna - Reminder of the Serpent" to fly a banner on the lake of the Lords of the Nagas.

N.K. Roerich "Altai - Himalayas", M. 1999, page 99

Among the famous thinkers and poets of Ancient India, one of the main missions is rightfully to be Nagarjuna (Skt. "Naga Helper"), which deserved the epithet "Another Buddha". Vin is the author of the great letter collection and the founder of the Mahayana - the path of the Great Chariot. The great power of Love and that Spivchutya to all living things marked the inexhaustible value of yoga practice.

Following ancient instructions, fearless Nagarjuna drew wisdom from the roses of Naga, the serpent king.

Nagas in Indian mythology are serpents similar to deities. The stinks are guardians of the treasures of the sacred cordons, they bury the saint, allowing them to get to the bottom of the consecrated one. Serpents symbolize wisdom.

In the picture of Roerich, on the breasts of Nagorodzha, Brahma is seen near the fiery syavi. Traditionally, wine is depicted as a chervonim, with chotirma heads and chotirma hands, radiant, like a thousand sunflowers, that sit on a rich-flowered lotus that has blossomed. The king of the nagas stands at the sight of a bug-headed snake, similar to a parasol, folded with hoods of cobras. The body of the Naga wraps itself around the volcano, streaming the hellish underground fire and not letting the miraculous flower of wisdom die, which is overpowering. Unbreakable, as if on fire, Nagarjuni’s posting is especially spiritual stamina: she opened the way for you to the secret knowledge of the King of the Nagas.

The sense of cryptic signs, embossed on the rock, at the left corner of the picture, is clearing up the haze of Nagarjuni himself:

Know that thoughts are like little ones

On the smoothness of waters, earth and stones.

The first ones are better for the dark ones;

Stay better for the righteous, the pure.

28. Yuen-Kang

1937 State Museum of the Arts of the Peoples Skhodu. Russia. Moscow. Canvas, tempera. 82 x 50 cm

Under the balls of stone, the head appeared on the back, then the torso of the statue. Nareshti z'appeared hands. Retelno bred the breed to the miraculous creation of the mystic. If they broke the tulub, the lama punished him to pin the robot, because nothing was left. The statue appeared without a foot. They began to repeat: “Where could the legs go?” Lama said in an enigmatic Vistula, that I was tired and did not care for the need to continue the dosvіd.

"... Near the painting: "Yungan" (1937), a colossal statue of Buddy was seen from the same-sized cave temple..."

Roerich Yu.M. Ways of Middle Asia

29. Dumka

1946 State Museum of the Arts of the Peoples Skhodu. Russia. Moscow. Canvas, tempera. 60.7 x 103 cm

“In the foreground of the reproduction, the image of the Teacher is attached to our respect. Great Vladyka, the meeting of the Promenus with the Ієrarchієyu of the Light, govern the spacious thoughts-energies and direct them to the evolutionary cosmic flow of grace. Day and night pass the "Great Day". "In the distance, the rosy peaks shine, the erysipelas color expresses love; a symbol of the great pure kohanny, the stars and the color of the lower, yaskravy and prozoriya."

(E. Pisareva. The power of thought is that thought)

“Great Buddha, showing the meaning of thought, what to become our essence and increase the expansion of knowledge.

N.K. Roerich wrote: “All the people know that the holy place is on the mountains, on the peaks. The view of the peaks is hidden. The summit, shining with heavenly beauty, is like a beacon of Light, like a crying dream about perfection, like a path, from which the distant horizons open up. Through the Light, the order of the future will sound.

“... You can send the best thoughts today to light. It is possible with a thought to encourage the skin of a good initiative in any little piece of the earth's backwoods. You can help your skin with your new life, de b vіn not bv i scho b vіn not timid.

(G.A.Y. vol. 2, 178)

“I’m going to cut people’s skin what to create, what to ruin. Svіt spovneniy super-clear thoughts. The impersonal ailment was laid down by the thoughts of the ruins. (Aum, 141)

30. Guru Kambala

1925 Private collection. USA. Canvas, tempera 66 x 98 cm

“... And two more outrageous things are not guilty of being forgotten. The founder of the so-called Manichaeism, Mani, at the III century of roses on the gates of the place in Persia for the synthesis of science and for the idea of massage. The second one is Guru Kambala, who has given his head as a symbol of authority and service.

N.K. RERIKH Altai - Himalayas.

The legend seems to be that the guru Kambala Mav bi will die in the battle with the heaps. the attacker's sword strikes your head. Ale, the inner person - but she herself struggled - why didn’t she remember to lose her physical head. The teacher-warrior at the fuse of the battle simply shoveled his head out of the ground, raising his sword, rushing at the enemy that win.

31. Prophet. Bida-preacher

1945 Novosibirsk State Art Museum. Russia. Canvas, tempera. 71.3 x 129.8 cm.

The museum is ringing "Trouble-preacher". Some dzherelakh seem to have a picture of the creation of the 1942 rock.

The main character was taken by the artist from a long-standing legend, from which it appears that, like the blind sage Trouble, accompanying the boy, long ago mountainous mistevity. If the leader is tired, he says to Bedi that a lot of people have been picked up, and they want to listen to him. The lad lay down, and Trouble, having taken a splash of whiting for the homin of people, began to propagate. In the picture, all nature, the whole Cosmos, in one breath, they hear the preacher, because kazhe vіn vіd sertsya. The sun hung, the fire subsided, the river chirped its big, the gloomy catch the breeze of change, listening to Trouble. Everything is reminiscent of the high vibrations of beauty, and the stone is inspired by the divine vibrations of Bedi.

Trouble is the image of a human being, as she learned her life of obov'yazok as a Service to the Common Good, to us people and the planet. The artist explained this tvir like this: "Skin remembers us beautifully for "Trouble is a preacher," if the stone rumbled at the voice of the voice on the yogic cry.

Bov vechir. In the clothes of the winter winds,
Empty stitch ishov Trouble is blind.
On the lad of wine, spiring with your hand,
Stepping on the stones with bare feet.
I was all muffled and wild around,
Some pine trees grew forever,
Some of the rocks were washing the gray,
We are shaggy and watery dressed with moss.
Ale, the lad is tired; fresh yagid skushtuvati,
Abo is just a blind person who wants to fool:
"Old! - Vіn saying -
I'm going to see
And you, if you want, start preaching:
From the peaks the shepherds beat you ...
Yakіs old men to stand on the road ...
He is friends with children! Talk to them about God
About Sin, pissed for our sins."
And the old man's denunciation shone mittevo,
Like a key that pierces a stone ball,
Z wust yogo blidih
I lively
The high language flowed breathlessly.
There are no such people without faith!
It was given, the sky was blind in glory,
Tremtyach's hand rose to the sky,
Tears flowed from dull eyes.
But the axis has already burned the dawn of gold,
On the first month, a bright promise at the mountain penetrated,
In the gorge, the darkness of the night blew,
І axis, propovіduyuchi, chuє old,
Zve yogo boy, laugh and shtovhayuchi:
"To finish, let's go, there's no one else!"
The castle is summarily old, drooping head,
Ale tilki zamovk vіn - vіd edge to edge:
"Amen", you were thundered by stones at the front.

Ya.M. Polonsky

32. Song to the stream (Song to the waterfall)

1920 Series Suite "Mrії Wisdom" (compiled in 1920). Museum of Mycoly Roerich, USA. NY. Canvas, tempera. 235 x 122 cm

At the painting “Song of the Stream” (“Song of the Waterfall”), 1920, Mikola Kostyantinovich Roerich turns to traditional symbols. The lotus symbolizes Divine truth and purity, the river - human life.

With a vishukan linear rhythm, the artist reinforces the contrasts of the beautiful outlines of the rocky ledges, the water to kick, and the smooth linear quiet flood with the swirling lotuses.

On the aphrodisiac monolithic rock - the body of a graceful girl, like the bottom flower.

In the whole picture, one can see the same harmony, that unity of the beautiful, harmonious people and the primordial pure light of the new.

The girl, that waterfall, the flower, that skelya - all sound like the beauty of the eternal Divine life.

33. Song to the waterfall

1937 State Museum of the Arts of the Peoples Skhodu. Russia. Moscow. Canvas, tempera. 100 x 61 cm

... Roerich stole a little bit, and the sound is just as beautiful in concerts. Vіn razrazryav music in the sounds of nature: “People can hear miraculous music and sing. Once again, one harmony awakens a sense of the beautiful... Without knowing the meaning of music, it is impossible to understand the sound of Nature... Song to the waterfall, or rivers, or the ocean will be less than a roar. The wind will not bring the melody, but the hymn will not ring at the foxes. The best harmonies are lost for an unspeakable voice.

At the painting “Song of the Waterfall”, the woman listens to the music of the water, which is flowing, and picks up the sound on the strings of a musical instrument.

Roerich uses contrasting tones in the paintings, which reinforce the effect of the farb, as composers use the timbres of different instruments in their orchestral pieces and try to use such a way of the especially bright manifestation of the sound of a skin instrument.

N.D.Spirina. Vidbliski, part 1. 1944-1989. side 52-54

34. I'm working (I'm working)

1922 A series of paintings "Sankta" ("Holy"). International Center-Museum im. N.K. Roerich. Russia Moscow. Canvas, tempera. 71.5 x 101.7 cm

The way of the spiritual formation of the specialty starts from the important physical practice, "various labor". Being a monastery, the Reverend himself from two water-carriers carried water for the brothers (which is depicted in the picture), praying flour with hand zhurn, baking prosphora, brewing kvass, rolling church candles, cutting and sewing robes, vzuttya and pratsyuvav on the brothers "like a slave of purchases." On canvases, bachimo, like saints, are busy with simple earthly rights, to work on Zagalne good. Stink to walk on the water on a significant day one in the same way, to talk about those who do not have empty balakanini between chents. Robe of the earth is blue, with a high and beautiful thought you can straighten up at the top of the sphere, cementing space with beauty.

SPIRINA N.D. Holy suite. Novosibirsk: SibRO, 2001

35. Lotus

1933 Museum of Mycoly Roerich, USA. NY. Canvas, tempera. 74.4 x 116.9 cm

“... The axis at Ganzi at Benares to sit sadhu on the water at the sacred position. Crossed Yogo's legs were covered with water jets. The people run to the shore and marvel at the holy people ... " N. Roerich. Stronghold of Polumyan. Rishi

36. Heavenly beat. Great sky

1912 and 1915 rocks. Sovereign Russian Museum. Russia. St. Petersburg. Cardboard, tempera 66 x 95 cm

What could give rise to such a "heavenly beat?" Obviously, there is no more anger, slander, self and other negative qualities of people, as they destroy the jealousy of the people themselves, and of all nature. The nervousness of a person calls out the discord of the elements and the mighty elemental dash. I want a stronger dark mass of gloom, and the fires of the sanctuary already lighten them up. People will be judged for their birth.

In the painting "Heavenly Bay" a smaller part of the valley is occupied by lakes and palm spores. Rashta is gloomy, which swirls, then it is pierced by golden sleepy light, then it turns into a blue stormy gloom. Tse wrestling Light and darkness. Heaven and earth are not divided, neither have seen one in one. Go bіy mіzh two cobs. Shchos is attached to these non-virnih, horrifying forms of khmar. On the back on the mid-sounding gloom, the posts of the Valkyries, like to fly, were written, such an artist then stunned in the gloom: "Let them be present invisibly" ... Let them be invisible, but the powers that be are present there really. The pale village, depicted below, nibi fell silent in the result of the essence of the elements.

N.V. Urikov. Description of 100 paintings by N.K. Roerich and 5 S.N. Roerich

37. Nadra (Lower, lower glibini)

1924 Series "Yogo Country" (stored in 1924). International Center-Museum im. N.K. Roerich. Russia Moscow. Canvas, tempera. 89 x 116.6 cm

From the notes of N.K. Roerich: “At the bottom of the Himalayas there is a faceless cave, and it seems that you go to lead these underground caves far beyond Kanchenjunga. Deyakі navit stormed the stone doors, yakі nіkoli did not work, more often than not. Walk deep to lead to the Beautiful Valley. You can understand the reality of the legends, if you are familiar with the incongruous creations in the nature of the Himalayas, if you especially notice how close the ice floes and the rich growth grow”

Roerich N.K. Shambhala Syayucha. Treasury snigiv

The robot of N.K. Roerich symbolizes the human spirit, which she lost from the depths of the mayzhe of full zatsipeninnya and raptom adopted her voice to spiritual bliss.

38. Kyrgyz mazar. Sanju

1925 University of Pivnichnoy Karolin. Charlotte. USA. Canvas on cardboard, tempera. 30.5 x 40.5 cm

6 zhutn. The flow of Karakash came again. Great old Kyrgyz tsvintar. Mazars with napivspheric crypts. Low graves lined with bunchuks with kinsky tails on the ends. Positively, the mazar is often the old Buddhist chorteni. After the Mazars parted with the flow of Karakash.

16 May. We stop at Sanju; settlement at 39 versts (Russian versts). It’s impossible to stand outside the outskirts: it’s not safe at night that our guardian Tumbal is stuck in the consulate. We stand at the yard. An old goat in white is important to walk around the yard. Girls with bagatma black pussies shvidko shvidko s hut. It's been six years already, and the fever has not yet begun to subside.

* "... We went to split the paths to Kokyar abo Sanju" - the path to Khatanu through the village of Kokyar near the valley of the Karakash river, more, through the Sanjutag ridge - shorter"

39. Poluvannya

1937 State Museum of the Mysteries of the Peoples Skhodu. Russia Moscow. Canvas, tempera. 45.5 x 78.4 cm

The painting "Poluvannya" is the artist's vision of nature, looking at the light landscape, its spaciousness, purity, crystallinity of the air, the age-old mountain ridge.

The images of two half-hearted deer symbolize the tragedy of nature in our hour, as it is mindful of the spiritual and moral disposition of mankind.

“... It’s true, if at a long time the number of cardings was counted in thousands, then at our “illumination” hour, the number of cardings exceeds a lot of millions. As soon as myslivtsy with a primitive cubule and a list killed not rich creatures, then at one time on some slaughterhouses near Chicago, dozens of thousands of creatures at the shortest term are driven in.

Well, if you want to have scientific tributes in your hands, if you stop talking about the survival of the vegetarian diet, then you will again be suspected as if you are in anti-community aspirations. In the midst of a civilized and navit hard about the culture of human blood, even though we live, and dosi perebuvayut unillumined doctors, like punishing the crooked m'yaso.

...Otherwise, at once from a large number of covenants against the killings of growth, and the very number of bodily murders from small to great, from creatures to people.

N.K. Roerich. Stronghold of the half-light

40. Lhamo (Palden Lhamo)

1931 Museum of Mycoly Roerich, USA. NY. Canvas, tempera. 74.2 x 117.5 cm

Miss Lahul. “...Waterfall Palden Lhamo; nature itself has erected on the rock a statue of a terrible goddess, who gallops on a beloved mule. “Bachite, yak mule raising his head and right leg. Look, you can clearly see the head of the goddess. Bachimo, bachimo! I hear the unmistakable song of the girsky blast. N.K. Roerich. Polumyan's Stronghold, Riga, Vіeda, 1991, p.179

Lhamo - among Lamaism - terrible "protection of the law" that "zahisnitsa vіri". Zhorstok to the vіdstupnіv vіd vіri. Patron of Lhasi.

Palden Lhamo, the goddess-dharmapala, to lie up to the category of “who went beyond the six spheres of reason”, to those “not worldly”, gods, who came from the stake of the people of that death.

In Buddhism in Tibet, Palden Lhamo became a guarding deity - she protects the Mahayani's faith. Vaughn is also respected by the capital of Tibet, Lhasi. Tibet has a lake, called Lhamo Latso, de, zgіdno z legends, the goddess lives and on the birch tree of which zdіysnyuyutsya rituals, and vsoki lami otrimuyut vkazіvki schodo new people of the Dalai Lamas and Panchen Lamas.

41. Watchmen of the snow

1922 Museum of Mycoly Roerich, USA. NY. Canvas, tempera. 51.5 x 76 cm

Roerich N.K. Altai - Himalayas. II. Sikkim (1924):

Behind the gates of Pemayandze stand the watchmen of three hundred trees. Kazkovy fox of Tsar Berendey. And the street of Budinkiv Lama, like a Berendey settlement, is rozfarbovana, it is equipped with colored ganochki and flakes.

Bkra-Shis-Lding. Lyuty, 1924.

Roerich N.K. Fredum / Neporushne. Riga: Vieda, 1991:

What can be the idea of protecting the goodness but peacefully? As long as possible a peaceful guard, watch in their world, but on the right everything is in that in the hearts of whose watch there can be peace. This high world will not be an evil susid, ale, now, you will be a good sudid, which for honor knows its borders.

Roerich N.K. Revival / Neporushne. Riga: Vieda, 1991:

…Who knows why the skin is entrusted with supervision in that other area. In terms of people, we can admit that it’s better not here, but there. Or maybe the wart itself is trusted here. To that, in full readiness, we will accept this watch, at our hearts straight to the bazhan novlen.

42. Holy Knight

1933 Museum of Mycoly Roerich, USA, New York. Canvas, tempera. 46.3 x 78.9 cm.

... At the same time, after ten months, the [magazine] “Art and Culture” was resurrected - on the basis of my [pictures]: “Holy guests”, “Rigden [-Dzhapo]” and “The Holy Knight”. It's amazing how you can start a journal from such frequent breaks without daily explanations.

N.K. RERIKH Leaves to America (1923-1947). - M: Sphere, 1998. - 736 p. - Series "Rerikhivsky archive".15.XI.46

43. Holy Mount (Way to Kailash)

1933 Series "Holy Mountains" (stored in 1933). Museum of Mycoly Roerich, USA, New York. Canvas, tempera. 46.3 x 78.9 cm

“Let's continue our walk to the pilgrim. ... We remake the old road to Karnat, which leads to the Great Kailash, the misery of hard hermits, that road sign to Shambhala.

N.K. Roerich "Heart of Asia", p.99, New York, 1929

“Before us is a path to Kailash... Rishi lived here for the benefit of the All-World!”

N.K. Roerich "The Stronghold of Polum'yana"

Kailash is one of the peaks of the Himalayas, crowns 6724 m-code.

The canvas depicts the sacred mountain of the Gods Kailash, or the legendary Mount Meru. For the Hindus, the heights of the Himalayas - Kailash - the place of the exchange of the Gods, de Gods, at the vigilant watch direct the spiritual growth of the people.

"... God and the gods were the center of the spiritual life of the skin people, so the Mountains of the Gods were respected as the center of the world."

And at once there were few pilgrims, approaching the holy mountain of Kailash, the rest of the village of their way is already shrouded in ice on the mountain, with their great fanaticism, it is not uncommon to pass on knees.

At the caves above the Kailash abysses, meditate in Milarepa, there they burrowed at the spiritual gaze of the learned Buddha.

On Mount Kailash, samіtniki and dosi live near the caves of the miraculous mountain, reminiscent of expanse with calls that awaken people to righteousness.

R. Rudzitis. Brotherhood of the Grail

Stones with ancient writings about the Truth. Different stone, different signs written, but all the stench about the same Truth.

44. Girske lake. Baralacha pass (Hirsk lake. Bara-Lacha pass)

1944 Sovereign Russian Museum. Russia. St. Petersburg. Canvas, tempera. 61 x 123 cm.

"Hirske Lake" (1944) - all marvelous in this maisterny robot, invisibly clear violet-golden mirror-like surface of the water, none of the life-giving and fertile. What other artist could imagine such a blessing in the Georgian nature? The highlands are the region of the swarms of the snowy skies, the greenish-red sky harmonizes so well with the tone of the lake.

45. Brahmaputra

1945 State Museum of the Mysteries of the Peoples Skhodu. Russia. Moscow. Canvas, tempera. 41 x 103 cm

The picture depicts the sacred river of India, like taking an ear from the great lake Manasarovar - Lake Nagov. Bramaputra means Sin Brahmi. Approaching the Brahmaputri at the hour of the trans-Himalayan expedition, N.K. purple and purple tones of the Bramaputra flow ... There is more to it, down to the Blakitnaya River Blakitna Yangtsytsyan - the river found in the world, ale Bramaputra - sin Brami, oviyana with a rich vizierun rekazіv, she will show the sacred channel of the Ganges and the Himalasarays, close to Sutlej and the ear of the Great Indus... Ariavarta was also born there... Approaching the Brahmaputra, one can know even more legends related to Shambhala, and one more setting gives these places more marvelous enmity: here at the straight line of Everest the seer is alive, the hermit of Milarep, who hears before the gathering of the Son of the Virgin the voice of the Atm of the Himalayas. Iku, how to remember their special zustrіchs with the Mahatmas." (N.K. Roerich. Altai-Himalaya).

N.V. URIKOVA Description of 100 paintings by N.K.Rerikh and 5 S.N.Rerikh

In the unforgettable sketch "Bramaputra" (1945): a river, zvivayuschie, syaє svitankovyh change of sleepy at once, nіbi out flow through the wound to another, blissful wound.

R. RUDZITIS Cosmic strings in the work of Mykoli Roerich

46. Nanda Devi (Himalaya)

1937 State Museum of the Mysteries of the Peoples Skhodu. Russia Moscow. Canvas, tempera. 44 x 78 cm.

Let's guess the myth "About the Adventure of Gir". If the planetary Creator worked over the formalized solids, and gained respect for the fruits of the plain, they could give people peace of mind. Ale Mati Svitu said: “It’s true, people know on the plains and bread, and trade, but if gold wanders on the plains, where can I go with a pure spirit for gold? But don’t let the stench take away the wings, or let them burn, so that they hide themselves in the form of gold. I Creator of vidpoviv: It's too early to give wings, the stench will bring death and ruin on them, but burn on them. Don't let someone be afraid of them, but for others, the stench will be a joke. So people are divided into equal and higher ones.

World of Fire. II, 5

If we call, we will not tidy up the human spirit, if we overcome all the difficulties, go to these peaks. And the problems themselves, for an hour even more unsafe, become less necessary and necessary things, become less than the underlings of earthly intelligences. All the unsafe bamboo crosses the mountain streams, all the slimy slabs of centuries-old ice-coverings over the ruinous rivers, all the inevitable descents in front of the oncoming pylons and a whirlwind, and hunger, and cold, and heat, there is a cup of blessings.

A. Yufereva, A. Lukasheva “M. Roerich”, M., 1970.

« Burn, burn! What kind of magnetism you have! What a symbol of calm is laid at the skin's gleaming peak. Naismilivishі legends are popping up bіla gіr. Naylyudyanish words appear on the snowy heights.

N.K. Roerich. Fire your hearts, pp.157-159, M., 1978

47. Himalayas (Blakitni mountains)

1939 Sovereign Russian Museum. Russia. St. Petersburg. Canvas, tempera. 47 x 79 cm

If Roerich had first consumed the kingdom of the Himalayas, a great symphony of blind peaks opened up before him in a kazkoviy beauty, and above them the vision of blackness was invisible. Vіn ishov is like a “charming mandrivnik”, dumb for a long time known by the Cossack land. Everything was given to such a close heart, dumb for a long time, a lot of life, and being a Meshchanian of these great cities.

Grandiose, massive, snow-covered mountain ridges, above which the gloomy ones move, shimmer with all colors of oars, streams of light flow. Itself again - inexcusably clear, radiant, twinkling. And the silence of the peaks, you begin to feel yourself, the battle of the heart, it is possible - to wind melodies into

R. RUDZITIS Cosmic strings in the work of Mykoli Roerich

48. Two worlds (Mountain of five treasures)

1933 Series of Holy Mountains (stored in 1933). Museum of Mycoly Roerich, USA, New York. Canvas, tempera. 46.8 x 78.8 cm

N.K. Roerich. Himavat

Kang-chen-tszod-nga - P'yat Treasures of the Great Snows. Why does this great mountain ring like that? Vaughn saves five treasures of the world. What are the treasures? - Gold, diamonds, rubies? Ni. Old Skhid tsіnuє іnshі belongings. It is said: the hour has come, if the world is full of hunger. Todі z'appear Htos, hto vіdkrіє vіdkrіє karbnitsі і nasichit all people. It’s obvious, you understand, that it is necessary to make people not physical, but spiritual.

N. Roerich. Heart of Asia. Fenugreek

49. Himalaya No. 93 [Kanchenjunga]

1936 Museum of Mycoly Roerich, USA, New York. Cardboard, tempera. 60.5 x 99 cm

"The entrance to the sacred land of Shambhala is known there. Underground caves through the wondrous krizhany of the caves, not enough to bring in from each life reached the sacred place. All wisdom, all glory, all the brilliance was taken there ... Kan-chen-tszond-nga - five treasures "Great Snigіv Why does this great mountain ring like that? It saves five treasures of the Light. Like treasures? Gold, diamonds, rubies? Ni, the old Skhid costs more treasures. Then someone will appear, who will see the great treasures and incise all the people" . Naturally, not physically, but spiritually... On the way to the top, the faceless cave of Kanchenjunga. stone doors - no one can see.

N.K. Roerich. Altai-Himalaya, Heart of Asia

"There is nowhere such a sky, such a spiritual abundance, like the middle of these expensive snows... Great savants have come here, because at two crossings you can rise from the tropical thicket to eternal snow. All the stages of tension of the bridges are here..."

On heights of 11 yew. feet in a thin body are filled with special strength. With increasing heights, the number of people is changing, sleep is shortening. Burn, ear of the cob, what to bring forth from the lower earthly minds, from the normal powers of the Earth. For earthly bodies, a thousand meters of skin should be brought to a special mind. It is not possible for the Russians to think piece by piece to the earthly zvichok.

50. Kanchenjunga

1938 National Gallery of Foreign Art. Bulgaria, Sofia. Canvas, tempera. 45.7 x 78.7 cm

The Himalayan studies of Mikoli Roerich are a unique phenomenon in the world of art. The stench showed us the beauty of the mountain world. The descent, the spirit of the Himalayas, de Cosmos, in a single sweat, are angry from the planet.

Paintings of the series "The Himalayas" by Mykola Roerich, creating a long stretch of rich rock, including those of the minds of the Central Asian expedition, dictated their small format and the tempera technique of vikonnanny. The stench of your own kind, the pied-à-terre of a traveler, de real Himalayan regions, see the artist's spiritual knowledge.

People in all parts of the world want to know about the Himalayas. The best people cordially direct to the treasures of India. For all the hours it was hard to get to the Himalayas. It is clear to people that the skin, who jokes about spiritual convergence, is guilty of marveling at the Himalayas.

N.K. Roerich. Himavat

Taken together, the Himalayan studies of Mikoli Kostyantinovich fill with unforgettable feelings. … Burn in Roerich’s sketches with a special substance — vibrating, light-bearing, iridescent, unreasonably dull, rhythmically organized in a different way. Like the sound of the music of the spheres, zupinenі above, in front of the vagka, pulling down the blackness of the near plan, marvel at the stench at us.

51. Sacred Himalayas

1934 (1932)

N.K. Roerich. Himavat Mikola Kostyantinovich Roerich (biography)

I recently quoted a post about Roerich at the Militia Storinka, again
I’m good with her, what to write about this non-transverse person needs more
it’s clear that the bula was not just a great person, but a stovp of suspіlstva,
about what kind of truth can be said: CARRIED OUT THE BURDEN OF THE SVITU ... To that
I didn’t mess with the hour, I spent the day on folding yoga again
biographies, because although I cannot be called a Rerikhite and a successor
yoga of ideas in a completely lucid (to which I fall short), but Agni-Yoga,
yakіy,
E.I. Roerich. I would like to say about tsyu neperesichnu people that її yaskrava
and the cіkavogo life was recognized by more people.

The creativity of Mikoli Kostyantinovich Roerich is a real thing
Vinyatkov in the history of Russian and world art. Yogo canvases
privablyi svoєridnіstyu themes and plots, їх poetic, profound
symbolism. Yaskrave Roerich's life is like a wondrous legend.
Having started your way from Russia, passing through Europe and America, and finishing yoga in Asia. Ale on the right
not at the kіlkostі mіsts, de vin managed to visit, but in yoga sky, at that, how many vins
caught up with the knowledge for the development of culture that mutual understanding of people
slud poslya to yourself having filled.

Vіn nіkoli nіkoli nіkoli nіkodi nіnіshav not rushing, аnd still yоgo praceszdatnіst bula
marvelous. The art of Roerich's spadshchina is magnificent. Yogo paintings, scenery sketches,
little ones are saved from museums and private collections of the wealthy of the country's world. Great in Russia
a selection of Roerich's works, the Tretyakov Gallery and the Museum of People's Art
Immediately in Moscow, located in the Sovereign Russian Museum in St. Petersburg,
Nizhny Novgorod Art Museum and at the Novosibirsk Art Gallery. Protyagom
life of wine having created close to 7,000 paintings, a lot of which are found in famous galleries
light, and close to 30 literary works, including two poetic ones.
Krіm tsgogo, vіn vіv majesty and unappreciated for its spiritual meanings
international suspіlno-politіchnu dіyalnіst, mainly schodo development of culture
and the preservation of cultural values. Vіn є the author of the idea and the initiator of the usim vіdomogo
Pact to Peace (Roerich), the founder of international cultural events "Light through
culture” and “Prapor Svitu”. І tse - the least important thing to do. N. Roerich bov
razyuche raznobіchnoyu specialty, and for what would not have taken - all robbed of good. Vin
not only a prominent public figure, but also an artist, and a philosopher,
writer, playwright, stage designer, mysticist, archaeologist,
mandrivnik and mystic-intuitive.

Mikola Kostyantinovich Roerich (Ririkh)
(September 27, 1874, St. Petersburg - people;
December 13, 1947, Naggar, Himachal Pradesh, India - death).
During the Russian period of life and creativity, he worked as the director of the Imperial School
partnerships for the pursuit of mysticism, cholyuvav art association "World of Mystery",
successfully worked as a set designer (“Russian Seasons”).
Since 1917 he is alive behind the cordon. Organizing the Central Asian and Manchurian
expeditions and taking a part from them. Vіv active community diyalnіst, bv
political and economic projects, ties with the Bolsheviks and freemasonry. folding
member of rich organizations.
Friendship from Olena Roerich. Mav two blues - Yuri and Svyatoslav.
Since the 1920s, Roerich museums have been founded in different countries of the world. Consolidation of successors
Yoga of ideas and religious-philosophical conception Ethics (Agni-yoga) is alive
ruh, scho іsnuє i contagion.
The ideas of Roerich were inserted into the molding and development
new age (information about the new wind) in Russia.

1. Childhood and youth:
Roerich was born to a noble family. Yogo father - root
Petersburg lawyer Kostyantin Fedorovich Roerikh (1837-1900), mother - Pskovite Maria
Vasilivna, born Kalashnikova (1845-1927). At this house, near Mikoli, there were three more
children - sister Lyudmila and young brothers Boris and Volodymyr.
Early hostilities of children - houses on Vasilevsky Island, summer trips to the city
Island of the Pskov province and in the deputy maetok of Izvara near Petersburg, rose father
and a story about the ancestors of the old Scandinavian family of the Roerichs, landscapes of Ruska Pivnochi - all
marvelous rank, mute at the focus, picked up in the soul and memory of the future artist.
Among the friends of the homeland of the Roerichs, they were so distinguished deacons, like D. Mendelev, N. Kostomarov,
M. Mikeshin, L. Ivanovsky and many others.
From the childish fates of Mykola Roerich ris zdіbnim and disciplined boy, yoga
they added painting, archeology, history and rich cultural heritage to the Skhoda.
Father was inspired, that Mykola, like a senior son, a decline in his profession, become a lawyer,
but early on, a call was made to summon Roerich after the completion of the gymnasium K.I. Travnia 1893
fate at the wall of the St. Petersburg Academy of Mystics. To help the father of vin, prote,
zmusheny buv one hour to enter the law faculty of the university.

At the Academy of Roerich, having become a teacher of A.I. Kuinji. The Kujindzhi method
invigorated by the system of other professors. Vіn pragnuv, persh for everything, spread from your own
learn a little decorative color. Not guided by the work of nature, vіn napolyag
for the one who painted pictures from memory. The artist mav at his own wine-making image
future creation, think over the composition and color. So if the Byzantines did it
and old Russian icon painters, old Italian and Dutch masters, Buddhist
artists Immediately Same way Roerich painted his paintings, naming them
"creatures". Vіn rіdko robv before them preparing etudi and sketches.
At this hour of wine, it is closely connected with the leading children of that hour's culture -
V. V. Stasovim, I. Є. Repinim, N. A. Rimsky-Korsakov, D. V. Grigorovich,
S. P. Diaghilev.

Z 1892 Roerich soils to carry out independent archeological excavations. Already
student's students become a member of the Russian Archaeological Association.
Carry out numerical excavations in St. Petersburg, Pskov, Novgorod, Tver,
Yaroslavl, Smolensk provinces, contributed to the St. Petersburg Archaeological Institute
(From 1897 to 1903). Starting from 1904 fate, at once from Prince Putyatinim, revealing
sprat of neolithic sites on Valdai (on the outskirts of Lake Piros).
Z 1905 Roerich begins to collect a collection of antiques of the stone century. Won bula
presented at the French Prehistoric Congress in Perigo (1905), de otrimala
high rating. Before 1910 in the collection there were over 30 thousand. exhibitors from Russia,
Nіmechchini, Italy and France. Vlitka 1910 Roerich at once from M. E. Makarenko held
first archeological excavations near Novgorod.

2. The formation of Roerich as a creative specialty:
Living a long history, taking a part in archaeological excavations, watching the post
gravitating to nature, the artist, having tried to give an artistic concept "invisibly
self-made colossal nature”, Russian historical past. Especially gostro Roerich
considering the “direct proliferation”, the opposition to the nature of the present place:
“The place that has grown from nature, is now threatening nature, the place created by people, now
panue over the people and do yoga, ”wrote Vіn. Way to spiritual renewal of life
richly thoughtful bachili (and at once bachat) turned to nature. Russo's ideas came up
the nineteenth century has an even greater sense. In Russia, Leo Tolstoy clicked to "forgiveness"; in India Mahatma
Gandi having robbed the home lock with the symbol of a poryatunka; in France, the artist Paul Gauguin, in search of
"primary paradise" from Europe to the island of Taiti; in England the philosopher John Ruskin,
ideological inspiration of pre-Raphaelite artists, vimagav, schob in case of controversy
the roads narrowed down to the most pleasant landscape; American Kantian Transcendentalism
(R. W. Emerson, G. Thoreau, T. Parker and others) started their spiritual tricks on nature.

In 1897 N. K. Roerich graduated from the St. Petersburg Academy of Mystics. Yogo thesis
the painting "Messenger" bula pridbana by the famous elector of Russian art
art P. M. Tretyakov. Stasov V. V., a leading critic of that hour, highly appreciating
this picture: “Surely you can visit Tolstoy ... let the great
the writer of the Russian land to fill you with artists. Zustrich iz Tolstim for the young
Roerich became a full-bearer. Rolling up to the new, Leo Tolstoy said:
cross the river? You need to rule more for those places where you need it, otherwise
know. So, even in the moral chambers, it was necessary to cherubate forever more - life is all the same.
Let your messenger do the high kermo trim, even more fuel!

For Roerich, these words have become an indulgence on the path of life. Also spiritual guidance
for Roerich became the words of Fr. John of Kronstadt, who often saw the houses of Roerich's father:
"Don't be sick! Come to the Batkivshchyna to improve a lot."
In 1899, the painting "Pokhіd" aroused the respect of S.P. Diaghilev, who requested
Roerich's brother's fate at the exhibition of the new art association "The World of Art".
Vіdnosini z tsim newly-created suspіlstvo, ocholuvanim S.P. Dyagilevim and O.M. Benois,
at Roerich they were folded smoothly and super smartly, ale, if in 1910 it had broken up earlier
"The World of Mystery" revived anew, Roerich bowed his head.
Maisternya Kujindzhi was considered very important by the artists, who had already gone through the painting school.
Roerich took lessons from the sculptor and draughtsman M.O. Mikeshina is everything. Busy
at Kuindzhi, who was called into the new original individuality of the painter-colorist, in part
the painting was not enough and 1900 Roerich's rock came to Paris, where he saw the studio
famous artist and teacher F. Cormon. Staying true to your themes and stories
(At Paris wines, we continue to work on the Slovyanskaya series), ale, vicorist
French artists, Roerich discovered colors and little ones.
Roerich launched an innovative search for art. “Already in the first pictures there is a vimalovuetsya
Roerich's original style: yoga all-season pidkhid to composition, clarity of lines
and conciseness, navit - stylism, purity of color and musicality, great simplicity of speech
that truth." The artist's paintings were inspired by deep knowledge of historical material,
convey to the spirit of the hour that rich philosophical zmist.

At his 24th birthday, N. K. Roerich was already an assistant to the director of the museum at the Imperial
Suspіlstvі zahochennya mystetstv that one-hour assistant to the editor of an art magazine
"Art and craftsmanship". After three rocky vines embrace the settlement
secretary of the Imperial Association for mysticism, one hour
vikladatsky robot.
At this hour, the artist is constantly taking part in foreign exhibitions. With yoga creativity
got to know Paris, Venice, Berlin, Rome, Brussels, Vision, London. Roerich's paintings pridbali
Roman National Museum, Louvre and other European museums.

In 1899, a group of wines met in the mother of Prince Putyatin with Olena Ivanivna Shaposhnikova (1879-1955),
daughter of St. Petersburg architect Ivan Ivanovich Shaposhnikov and Katerina Vasilivna,
nee Golenishcheva-Kutuzova. The wedding took place on July 28, 1901.
Behind the promises of the late hour about Olena Ivanivna, she had thin rice
individuals with a slight blush on slightly swarthy cheeks, brown eyes and chestnut hues.
hairy. Її the image was saved on a few photographs, a little one of 1910.
artist V.O. Serova that on a number of portraits painted by son Mikoli
Kostyantinovich and Deer Ivanivny, artist Svyatoslav Mykolayovich Roerich, from them
nayvidomishy - 1932 year.

Olena Ivanivna has a lot of talents and a brand name - special spiritual knowledge, based on
which the light-gazer was known for, which developed the posture of the orthodox religious tradition.
Її childhood and youth passed by the rocks, if the philosopher Volodymyr Sergiyovich Solovyov
experiencing the "black" manifestations of the yoma of Eternal Womanhood, the Soul of Light; if
Nizhny Novgorod theater critic Ganna Mykolayivna Shmidt created a mystical treatise
under the name of the Third Testament, assuring myself of the instilled Sophia, the Wisdom of God, that
if the writing of Olena Petrivna Blavatska was under the ceramics of Mahatm Immediately
zdіysnyuvala conceived the idea of establishing a Universal religion on the basis of theosophy -
mystical vchennya, as if taken by a thousand Meisters -
Initiation among the people. E.I. Shaposhnikova became the successor of E.P.
Blavatsky. Vona watched herself in spiritual contact with the Great Meisters like a call
to the recognized mission. Svіtoglyad, artistic intuition and science jokes
N.K. Roerich appeared to the gracious followers for the mystical respite of the Deer of Ivanivna
and step-by-step enrollment in the global self-confidence, endowed with Roerich
the formula of "practical idealism".
Olena Ivanivna became for Mykola Roerich a faithful companion and spirit, all her
stink of life to go through plіch-oh-plіch, creatively and spiritually supplementing one another. At 1902 roci
they will give birth to the son Yuri, the future teaching-skhodoznavets, and in 1904 - Svyatoslav, the future
artist that hromadsky diyach.

In 1903-1904, N.K.
having seen over 40 places, taking into account their old reminders of antiquity. Metoyu tsієї
"travels of the old times" was the cultivating of the roots of Russian culture. The result is more expensive
the architectural series of the artist's paintings became great (about 90 studies).
Their artist is right to convey the power of ancient stone spores,
who survived a lot. Walls, towers, churches mitzno grew into the ground and got angry to buy
with the earth, with trees that sky. The city is alive and bright that color on the forte walls - nemovby
rendition of famous bells...

Crimea of paintings, Mikola Kostyantinovich write and articles,
at some wines, one of the first ones, destroying the food about the greatness of artistic value
old Russian icon painting and architecture.

Yak the artist Roerich pratsyuvav at the same time in the region
easel, monumental (frescoes, mosaics) and theatrical and decorative painting.
In 1906, I created 12 sketches for the Church of the Intercession of the Mother of God in the Maetka Golubevikh
in Parkhomivtsi near Kiev (architect Pokrovsky V.A.), as well as sketches of mosaics for the church
named after the Holy Apostles Peter and Paul at the Shlisselburz gunpowder factories (arch.
Pokrovsky V. A.), for the Trinity Cathedral of Pochaivsko Lavra (1910), 4 sketches for painting
Chapel of St. Anastasia on the Olginsky bridge in Pskov (1913), 12 panels for the villa Livshits
near Nice (1914). In 1914, the church of St. Spirit in Talashkina (composition
"Queen of Heaven" and so on.). Deyaki mosaics, creations for the sketches of Roerich
masters of V. A. Frolov, which have been preserved to this day.
The rich talent of Mykoli Roerich also appeared in yoga robots for theatrical
productions: "Sniguronka", "Peer Gynt", "Princess Malene",
"Valkyrie" and in. Vіn buv among the leading ideologists and creators of the reconstructive
"Old Theater" (1907-1908; 1913-1914) - litter and unique
manifestations in the cultural life of Russia in the first quarter of the XX century, and taking the fate of N. Roerich
at tsomu historical and dramatic approach and like a creator of scenery, and like
mysticism. Under the hour of the famous "Russian Seasons" by S. Diaghilev near Paris
in the design of N. K. Roerich took place "Polovtsian dances" from "Prince Igor" Borodin,
"Pskovite" by Rimsky-Korsakov, ballet "The Rite of Spring" to music
Stravinsky.

The era of the Silver Age, in which N. K. Roerich,
was an era of spiritual inspiration, which, no doubt, injected the molding of special
artist. A galaxy of prominent thinkers: V. S. Solovyov, E. N. Trubetskoy, V. V. Rozanov,
P. A. Florensky, S. N. Bulgakov, N. A. Berdyaev and others. contributed to Russian culture
glibinnu philosophical thought, scribbled її strained jokes on the sense of life and
ethical ideals. The Russian intelligentsia showed a special
before culture Immediately
In the search for values that may have a deep human meaning, N. K. Roerich, Russian Crimea
philosophies, also having embodied the philosophy
India - Ramakrishni and Vivekanandi, creativity of Rabindranath Tagore. Acquaintance
With a philosophical thought, the work of N. K. Roerich immediately knew its own image. Yakscho in
in the early paintings of the artist, the primary plots were old pagan Russia,
barvisty images of the folk epos (“The future will be”, “Evil”, “Overseas guests” and other.),
then, from the middle of 1905, a lot of yoga pictures and drawings were dedicated to India (“Lakshmi”,
« Indian Way”, “Krishna”, “Dream of India”, etc.). Ancient cultures of Russia
that India, їhnє spilne dzherelo, tsіkavlyat Roerich like an artist and like a scientist. yoga
the historical concept of the most important may be the spivvіdnoshennia of the temporal categories of the past,
today is that of the future. Vіn vimiryuє past and today's future: "...
less for the sake of the future.” "From the ancient wonderful stones to store the slabs of the future."

At the request of the art partnership "Manas" from Prazi, the persha zakordonna
exhibition of the work of Roerich (1905). What time is it to be constantly supplemented with new pictures,
"Visniki", following the words of the master, moving around different cultural centers
Europe will be long overdue behind the cordon.

Since 1906, a new, mature period has been marked for Roerich's work. Change
yogo pіdkhіd up to іstorіchnoї themes: іstorіya, mіfologiya, folklore transform on dzherel,
from that number the artist draws material for a metaphorical figurative movie. yoga
the arts will combine realism and symbolism.
During this period, there is a search for a master in the region of color. Vіn mayzhe vіdmovlyаєtsі vіd olії
and then move on to tamper technology. Bagato experimenting with farb warehouse, vikoristovu
method of overlaying one barvy tone into another.
The originality and originality of the artist's art was recognized by artistic criticism.
In Russia and Europe for the period from 1907 to 1918 nine monographs of that kilka were seen
dozens of art journals dedicated to the work of Roerich. Leonid Andreev figuratively
naming the creations by the artist of light - "The Power of Roerich" and "The Power of Light".

In 1909 N. K. Roerich became an academician of the Russian Academy of Sciences and a member
Reims Academy in France.
Since 1910, the fate of the art association "World of Art", members
such as A. Benois, L. Bakst, I. Grabar, V. Serov, K. Petrov-Vodkin, B. Kustodiev,
O. Ostroumova-Lebedeva, Z. Serebryakova et al. "The Greatest Intuitive of the Century", for the nominated
A. M. Gorky, N. K. Roerich in symbolic images hung in front of the First Light
fight your anxious feelings: the paintings “The Pure City - to the Enemies of Embitterment”,
"Angel of Rest", "Zagrav", "Perve people" and others.
They show the theme of fighting two cobs - light and darkness, which go through everything
the creativity of the artist, as well as the viability of the people for their share is the whole world.
Mykola Roerich is creating pictures of an anti-war character, and write articles,
dedicated to the protection of the world and culture.
In 1915 N.K.
Mikolayovich (young) from the call to get used to the serious state entrances of the nationwide
protect cultural treasures Nezadovgo to the ear of the First World War at Roerich’s creativity
new symbolic plots appear ("Scream of the Serpent", "Zagrav", "Koroni",
lyudski", "Visnik", "City of sayings" and others).
The expressions in them were almost like anxieties, like prophets. Gorky called
Roerich "the great intuitive". Roki Roerich is getting more and more bored with his own
hidden dreams, that from youth they praised yoga awake. I got to know you as a student
s V.V. Stasovim. This familiarity marked a lot of future aspirations and inquiries of the artist.
At the practice of the Pohodzhennya of Russian bilins (1868) and offensive articles and books, critics have developed
idea about "the offensive of Russian culture and the rise of European and Asian". In conversations
zі Stasovim started for Roerich yogo scientific task - spiritual connections of Russia zі Skhod,
yak vin spodіvsya if you allow on the untrodden stitches of Mongolia and Tibet.
Not less influx on the mitsa mali widely widened among the peoples of the people
And the sunset of the legend and the saying about the taєmniču krajina
mountains of India, or Tibet. The middle-ranked persons believed that there is the Holy Grail,
the highest symbol of the person's dedication to that service. Prices went up in Ancient Russia from the XII century
on Skhid near the jokes of "earthly paradise". Navit buli svіdki sho bachili kraina
blind light, which is mixed with sleepy people, about to go to the Messenger of Novgorod
Bishop Vasil to Bishop Fyodor of Tver. In the XIV century, the Saying was expanded
Zosima about going to the Brahmins, for whom it is known, as Zosima knows
On the descent of the earth, where to live "in people, quiet old men, similar to the Sin of God." Pіznіshe,
in the 17th century, the Old Believers-dissenters called this land “Bilovoddyam” more than once
virushatimut on її poshuk. Indians respected the sacred Mount Meru as the center of the world that
good luck, Tibetans and Mongols called the land of immortality and greater justice
Fenugreek. Roerich's words are similar to folk retellings from Stasov's excuses.
The artist is starting to plan more expensive Skhid. Let's add more and more
"the great Indian way", ale podії, tied with the First light war,
that camp is healthy, I don’t give yoga to minds.
In 1916 N.K.
moving to Finland (Serdobol), saving Lake Ladoz. Proximity to Petrograd
allowed me to work on the rights of the School of the Association for the study of mysteries.
Roerich always loved Suvory Pivnich for yoga unoccupied beauty, for yoga remoteness
promissory mist. “Chimerni foxes with all sorts of trees. Flower herbs. Gliboko
they gave blue swagger. Usyud mirrored rivers and lakes. Pagorbi and pagorbi. Cool, curtains, mossy,
stone-workers. Stones are heaped in herds. Be kind. Mohist kilims are thrown richly.
White from green, purple, red, orange, blue, black from yellow ... "Especially
strong yogo bow pulled the mountains, the skeletons, the impregnable stone kingdom. At the mountains vin bachiv
a symbol of the inextricable link between the earth and the sky, past today. Tsey Zv'yazok artist
enchanted by the harsh stone world, which invariably hvilyuvav yogo. "Wonderful
think, - writing since 1908, - how, it is possible, to start a stone kingdom
to stand closer until our hour of poshukіv.
The same artist and poet Maksimilian Oleksandrovich Voloshin shrewdly marked,
that "... the spirit of Roerich ... is exclusively close to the kingdom of stone ...". Stretching arm
life of N.K. Roerich took the cult of Kaminnya from his consecrations, which he blamed for the first
archeological excavations in Pivnochi Russia, where objects of stone were found
centurion. In Roerich's stone paintings, signs of antiquity have taken on actual significance.
eschatological symbols.

3. Cultural and educational activities in Europe and America:
June 4, 1917, a month after the Lute Revolution, Maxim Gorky
in my apartment a great group of artists, writers and artists. Among attendees
boules Roerich, Oleksandr Benois, Bilibin, Dobuzhinsky, Petrov-Vodkin, Shchuko, Shalyapin. On the
The people took the Commission from the right of the mystics. M. Gorky was named the head,
head assistants - A. Benois and N. Roerich. The commission took care of the right
to promote the development of art in Russia and the preservation of old memories.

After the revolutionary weather of 1917, Finland closed the cordon with Russia,
and N.K.
Until 1914, Roerich's grandeur saw Europe: 1908 - Paris; 1909 - London,
Holland, Rhine town of Nimechchin; 1911 - new Holland and more expensive on the Rhine;
1912 - I know Paris. What shukav mitets at tsikh more expensive? Shche Gogol remembering that
And by itself, “the road is good!” Ale Roerich, mute in front of the threat
the creation of the human spirit, accumulated from the centuries,
touch and show in their paintings the characteristic features of Russian and foreign cultures.
In 1919, roci, having taken the request from Sweden, Mykola Roerich їde with the exhibitions of the lands
Scandinavia. The same fate goes to London, roaring the virus to India. Together with the retinue
enter into a foundation. P. Blavatsky Theosophical Society. Autumn of the same fate for the request
S. P. Diaghilev is arranging Russian operas in London based on the music of M. P. Mussorgsky and A. P. Borodin.
In 1920 N. K. Roerich received a proposition from the director of the Chikazky Institute of Mystics
organize a great exhibition tour in 30 places in the USA.

In America, Roerich, having taken away the reputation of a seer, guru and opponent of war, especially
Among other people, yakі gave you koshti (div. divided about Luis Horsh).
For the money paid by Roerich’s money, I founded the corporation “Bilukha”,
yaka fought for the provision of clothing for footwear and land concessions on the outskirts
burn Belukhi in the pivdenno-zahidny Altai. Also cultural and educational organizations were founded.

At the fall of the leaves of 1921, New York saw the Meister-Institute of United Mysteries, the head
a method of bringing peoples closer together through culture and art. By appointment
Institute, Roerich wrote: "The art of uniting people. The art is one and
inappropriately. The art may be richly gіlok, but the roots are united ... Leather wise
beauty the truth. For everyone, the gates of the sacred dzherel are to be built. Light of art
osyaє nezlіchennі hearts of new kohanny. I'm sorry, come almost, ale
then it will be necessary to clean up all the people's knowledge. Skіlki young hearts joking schos chudove
that help. Give it to them. Give wisdom to the people.

4. Spiritual sessions. "Auto List":
In the secular middle of St. Petersburg, there was a wider inundation with spiritualism, and already from 1900
Mykola Roerich taking a part in spiritual traditions. From the spring of 1920 to the rock at the Roerich's booth
Spiritual séances are held, friends and high rankings were asked for
dignitaries. Having mastered the method of "automatic sheet". Recording without intermediary
using the automatic sheet method, having robbed the head rank of N. K. Roerikh, and chastkovo
ta yoga syn Yuriy.
Roerich created a series of olive portraits at the trans, on which images are depicted.
Teachers - Buddha, Lao-chi, Sister Oriola, Teacher Rerihiv Allal-Ming and others.
For the affirmations of E. I. Roerich, article of a person “On the freedom of transferring objects of art”
(1924) "given" by an automatic sheet.
Under the hour of seances at the 1920s in London, the singer Mikoli was seen.
Kostyantinovich and Oleni Ivanivni with their spiritual Teacher, Maystr Moria. One of the curls
Danes from London, sounding: "Leave all the zabobons - think freely." Tsya zustrich
became the cob of the cleared mission of Olenya Ivanivna, as it was expressed to us in front of the written
her in contact with Maistrom, stretching out a number of rock cycles of books that can be seen without a vkazіvka
the name of the author, as if they took away the name of Agni Yoga, or the Holy Spirit of the Living Ethics.
Later, the Roerichs began to hedge their sharpened victorious seances.
To the thought of the deacons of Radyansk doslidnikiv, Roerich wrote about spiritual
seances vibrated sharply negative attitude to spiritualism, and Roerich's light-gazer
there is no root in the occult-spiritual "revelations". Roerich himself is a mystic
not vvazhav (like and deyakі yogo spіvrobіtniki), vvayuchi that pragnennya "knіznannya
the finest energies" - not mysticism, but a search for truth, and like
spiritualism and help, then all the same, it is impossible to sink into something new and set a self-censorship.
Zhivіy Etitsa has a way, scho pіdkhіd to subtle energies and rozumovoї activity
the check can be scientific, without a hint of mystery, ahead of mysticism.

5. Angering Buddhism with communism. "Mahatma Lenin":
After the Zhovtnevoy revolution, Roerich stood at the front of the opposition until the Radyansk government, writing victorious articles in the emigrant press. Prote nevdovzі yogo looked unexpectedly changed, and the bіlshoviks stooped at the ranks of the ideological allies of Roerich. In the autumn of 1924, the fate of the wines broke from America to Europe, when they saw the representation of the SRSR near Berlin, they met with the representative N. N. Krestinsky and then - with his assistant G. A. Astakhov. Ideological closeness to communism was revealed by the Roerichs in literature. The Mongolian edition of "Community" (1926), one of the books of Agni-Yoga, avenged part of the riddle about Lenin and drew parallels between the communist community and the Buddhist community. Vlasna, they were given instructions to the Radyansk order, the need for a non-gay life of transformation, rospochatyh Lenin (which was broken). Later, a "universal" version of the book was seen (2nd edition, Riga, 1936) - without the riddle of the names of Lenin and Marx, and the word "commune" was replaced by the word "community". For example, in paragraph 64 of "Community" 1936, there are no more quiet words, as if they were seen in 1926: "The appearance of Lenin should be taken as a sign of strangeness to the Cosmos." At Khotan, the Roerichs received the famous sheet of Mahatmas to transfer to the Radyansk order that screen with Himalayan soil on the grave of “Mahatmi Lenin”. Must give Roerich handing over to the special people's commissar Chicherin in red 1926, and handing it over to the Lenin Institute. So, near Khotan, on July 5, 1925, the artist conceived the painting “Mountain Lenin”, as a way to save it at the Nizhny Novgorod Museum of Imaginative Art. In the picture, the image of Lenin is easily visible, clearly marked. Later, Roerich changed the picture to “The Phenomenon of the Term”, however, in Moscow it appeared under its original name, about which in Darchi Roerich wrote with a clean hand: “Mount Lenina”. Having handed over the paintings of the “Maitreya” series to the people’s commissar of enlightenment, A. V. Lunacharsky, as if not accepting the Radian Museum, the shards of the mystic commission respected them as non-communist and decadent, and the stench hung for a long time at the dacha of O. M. Gorky.

Biography of Roerich Mikoli Konstantinovich. Biography of Mykola Roerich. Basic practices of N. K. Roerich

Biography of Mykola Roerich

Creativity Roerich

Light of the artist's recognition

Heaps:

List of organizations, a member of such buv N.K. Roerich:

Bibliography

Biography

Creativity

Mykola Roerich - "Trip of the Old Man"

Artist, archaeologist, tattoo editor

"Meister Gir" Mykola Roerich

2. Salting the dark

3. Treasures of the World - Chintamani

4. Lao Chi

5. Santana

6. On the peaks

7. Vessel is not splashed

8. belongings gir(Skhovane)

9. Sribne kingdom. Mount Meru.

10. Way to Shambhala

11. Mohammed on Mount Hira

12. Mother Svita

13. Visnik from the Himalayas (Directly home)

14. Zoroaster (Zarathustra)

15. Veducha

16. Buddha-reminder

17. Bily ta Girskiy (Biliy and heavenly)

18. Order of the Teacher

19. Sergiy-Budivelnik

20. Karakirgizi

21. Oirot - Bulletin of the White Burkhan

22. Zirka Hero

23. Gesar Khan

24. Just Confucius

25. Spivchuttya (Mercy)

26. Remember!

27. Nagarjuna - Serpent's Helper

28. Yuen-Kang

29. Dumka

30. Guru Kambala

31. Prophet. Bida-preacher

32. Song to the stream (Song to the waterfall)

33. Song to the waterfall

34. I'm working (I'm working)

35. Lotus

36. Heavenly beat. Great sky

37. Nadra (Lower, lower glibini)

38. Kyrgyz mazar. Sanju

39. Poluvannya

40. Lhamo (Palden Lhamo)

41. Watchmen of the snow

42. Holy Knight

43. Holy Mount (Way to Kailash)

44. Girske lake. Baralacha pass (Hirsk lake. Bara-Lacha pass)

45. Brahmaputra

46. ​​Nanda Devi (Himalaya)

47. Himalayas (Blakitni mountains)

48. Two worlds (Mountain of five treasures)

49. Himalaya No. 93 [Kanchenjunga]

50. Kanchenjunga

51. Sacred Himalayas

46. Nanda Devi (Himalaya)